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French Horn 442J /444J: Applied Music
3.00 Credits
Miami University-Oxford
Further orchestral studies. Advanced etudes: Maxime-Alphonse Book 6, Reynolds 48 Etudes, Barboteu. Solo literature: Jacob, Strauss, Bozza, Reynolds, Gliere. Preparation of senior recital.
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French Horn 442J /444J - Applied Music
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French Horn 442K /444K: Applied Music
3.00 Credits
Miami University-Oxford
Couillaud 30 Modern Etudes; Bitsch 15 Rhythmical Etudes; Bach Cello Suites. Solos by Milhaud, Serocki, Tomasi, Creston. Orchestral excerpts. Preparation of senior recital.
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French Horn 442K /444K - Applied Music
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FST 146: Media Aesthetics
3.00 Credits
Miami University-Oxford
Introduction to media aesthetics. Students develop awareness of artistic choices necessary for good television production. They are introduced to design elements and techniques available for use in media production. Students discuss and participate in creative visual thinking. Prerequisite: major status or permission of instructor. Cross-listed with COM 146.
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FST 146 - Media Aesthetics
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FST 235: Classics of Film
3.00 Credits
Miami University-Oxford
Study of film classics from the silent era to the present. Particular attention is given to the evolution of narrative conventions in films such as Birth of a Nation, Potemkin, The Last Laugh, M, Citizen Kane, Rome: Open City, Hiroshima Mon Amour, and others. Weekly screenings. Cross-listed with ENG 235. Offered infrequently.
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FST 235 - Classics of Film
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FST 251: Gender & Third World Film
3.00 Credits
Miami University-Oxford
Analysis of selected films from the perspectives of film technique and the political, economic and social context of filmmaking in Africa, Asia, the Middle East and Latin America. How film techniques are used to highlight cultural views of gender. Cross-listed with HST 251.
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FST 251 - Gender & Third World Film
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FST 252: Representation of History in Film and Video
3.00 Credits
Miami University-Oxford
Attempts to familiarize students with ways that history is represented in film and video (as opposed to print). By comparing film to texts, analyzing narrative structure, and studying the techniques of film and video making, students learn how history is depicted in this medium. Introduces history of film by viewing and discussing works of several early directors who represented history. Films and directors selected for inclusion will vary from year to year. Cross-listed with HST 252. Prerequisite: FST 201 recommended (not required).
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FST 252 - Representation of History in Film and Video
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FST 264: Chinese Cinema and Culture
3.00 Credits
Miami University-Oxford
Study of selected films. Introduces Chinese cinema and, through films, Chinese culture. Works are from mainland China, Taiwan, and Hong Kong, and subject matter is both historical and modern. Knowledge of Chinese is not required. Cross-listed with CHI 264.
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FST 264 - Chinese Cinema and Culture
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FST 265: European Jewish Cinema
3.00 Credits
Miami University-Oxford
Survey of films by Jewish filmmakers, or films dealing with Jewish themes, from the 1920s to the present. Films with English subtitles. Readings and discussions in English. Cross-listed with FRE/ GER 265.
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FST 265 - European Jewish Cinema
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FST 266: Survey of Japanese Cinema
3.00 Credits
Miami University-Oxford
This course examines representative Japanese films from the immediate post-war era to the new wave of Japanese anime (animated film). Offered in English. Cross-listed with JPN 266.
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FST 266 - Survey of Japanese Cinema
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FST 267: National Cinemas:African Film
3.00 Credits
Miami University-Oxford
Explores the cinematography of Black Africa. Topics may vary but the focus will be given to social and ideological implications of African cinema and the way films produce a critique of cultural mores. Cross-listed with BWS 267.
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FST 267 - National Cinemas:African Film
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