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ARTHIST 161: Art in an Age of Revolution: Europe 1760-1850
1.00 Credits
Duke University
The roots of modernity in European art: classicism, romanticism, and early realism. Impact of the enlightenment and French Revolution on European visual culture. Emergence of new publics for art and beginnings of a modern art market. Role of tradition: the impact of antiquity, northern legends and the middle ages. Religiosity and personal mythologies. Changing conceptions of nature, the body and artistic creativity. Artists include Blake, Fusseli, Turner, the Pre-Raphaelites, David, Ingres, Delacroix, Runge, Friedrich, the Nazarenes, Goya. Instructor: McWilliam
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ARTHIST 161 - Art in an Age of Revolution: Europe 1760-1850
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ARTHIST 167: Modernism, Avant-gardism, and Visual Art, 1900-1945
1.00 Credits
Duke University
Major artistic movements and theoretical aims of early modernism: fauvism, cubism, expressionism, futurism, constructivism, suprematism, dada, surrealism, deStijl, Bauhaus, and Neue Sachlichkeit in France, Italy, Germany, America. Instructor: Antliff, Leighten, or Stiles
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ARTHIST 167 - Modernism, Avant-gardism, and Visual Art, 1900-1945
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ARTHIST 171: Chinese Art 1900 to Present
1.00 Credits
Duke University
Study of selected works of Chinese art and visual culture (painting, sculpture, architecture, video, performance, and installation art; fashion design and cinema) from 1900 to the present. Emphasis on the visual analysis of objects as well as their social and historical context. Instructor: Abe
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ARTHIST 171 - Chinese Art 1900 to Present
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ARTHIST 173: Art, Architecture, and Masquerade in Africa
1.00 Credits
Duke University
Major art forms, monuments, vernacular structures, and masking traditions in West, Central, and Southern Africa. From ancient times to the present. Instructor: Staff
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ARTHIST 173 - Art, Architecture, and Masquerade in Africa
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ARTHIST 174: The Black Atlantic
1.00 Credits
Duke University
The African diapora--a direct result of the transatlantic slave trade and Western colonialism--has generated a wide array of artistic achievements, from the "shotgun" houses of New Orleans to the urban graffiti of NYC. The course surveys several major cultural groups in West and Central Africa and their aesthetic impact on the arts, religions, and philosophies of peoples of African descent in South America, the Caribbean, and the United States. Instructor: Powell
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ARTHIST 174 - The Black Atlantic
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ARTHIST 175: Art of the United States
1.00 Credits
Duke University
Course introduces the major art forms and aesthetic theories developed in the US from colonial period to present. Emphasis on architecture, painting, sculpture, graphic, and decorative arts. Structured chronologically, this course defines the characteristics of the different historical periods and the ways American artists both adopted and diverged from other models to create their own, distinctive national identity. Instructor: Powell
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ARTHIST 175 - Art of the United States
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ARTHIST 176: Modern and Contemporary African American Art
1.00 Credits
Duke University
Emphasis on works derived from an Afro-United States cultural perspective. Major figures include Henry Ossawa Tanner, Aaron Douglas, Jacob Lawrence, Charles White, Elizabeth Catlett, Romare Bearden, Lois Mailou Jones, and others. Instructor: Powell
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ARTHIST 176 - Modern and Contemporary African American Art
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ARTHIST 177A: Topics in Nineteenth Century European Art
1.00 Credits
Duke University
Focus on a major aspect of nineteenth century European art. Subject varies from year to year. Instructor: Staff
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ARTHIST 177A - Topics in Nineteenth Century European Art
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ARTHIST 177B: Topics in Twentieth Century Art (TOP)
1.00 Credits
Duke University
Focus on a major aspect of Twentieth century European art. Subject varies from year to year. Instructor: Staff
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ARTHIST 177B - Topics in Twentieth Century Art (TOP)
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ARTHIST 177C: Topics in Contemporary Art
1.00 Credits
Duke University
Focus on a major aspect of contemporary European art. Subject varies from year to year. Instructor: Staff
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ARTHIST 177C - Topics in Contemporary Art
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