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Course Criteria
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1.00 Credits
"Behind the scenes" look at editing a long form documentary for broadcast television. Discussions, readings and hands-on editing exercises introducing students to the language of editing and the tricky negotiations often needed to bring a film to dissemination. Instructor: Cutler
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1.00 Credits
The history of avant-garde in film and video combined with production exercises. Instructor: Staff
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1.00 Credits
Topics focusing on technical basis and aesthetic motivation of sound recording and sound exploitation. Technical demonstration and student exercises explore the mechanics and dramatic and psychological implications of formats, microphone placement, mixing, acoustic signature, digital recording, double system, and sound editing, leading to an individually produced sound design for live action or animation film/video. Not open to students who have taken this course as FVD 103S. Instructor: Staff
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1.00 Credits
Introduction to broadcast television techniques, including live multi-camera production, studio operations, field production and digital nonlinear editing. Practical experience in the production of a cable television program combined with industry study and theoretical readings. Instructor: Staff
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1.00 Credits
In-depth investigation of cinematographic techniques and principles for motion picture production. Exercises in both film and high definition digital video. Emphasis on advanced lighting techniques, lensing, camera mobility, set operations and close analysis of master works of cinematography. Instructor: Gibson
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1.00 Credits
Hands-on experience with 16mm motion picture film and photography. In-depth exploration of the techniques and aesthetics of film production, including basic screen writing, lighting, story telling, and editing. Each student will produce an individual 16mm film. Instructor: Burns
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1.00 Credits
The choreographic and bodily experience essential to dance for the camera. Hands on experience in videodance production through the exploration/production of several short individual and group videodance projects. Issues in creative and conceptual thinking, experimentation, pre/post video production, camera techniques, non-linear editing (Final Cut Pro), choreography for the camera. Viewings of seminal as well as experimental videodance works; discussions; readings; internet site visits; computer lab and dance studio/shooting location time; gallery/museum or video installation site visits. Prerequisite: Intermediate or above level of any dance technique, or Dance 135S. Instructor: Woods Valdes
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1.00 Credits
Theory and practice of film and video editing techniques. Exploration of traditional film cutting as well as digital non-linear editing. Exercises in narrative, documentary and experimental approaches to structuring moving image materials. Instructor: Staff
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1.00 Credits
Investigation of hybrid, genre-defying films that question traditional definitions of documentary and fiction. Emphasis on experimental forms, documentary reenactment, mockumentary and dramatized "true stories." Exploration of both documentary and fiction production techniques, culminating in the production of a final video project. Instructor: Gibson
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1.00 Credits
Focus on narrative film and video techniques, from script to realization. Exercises in production management, cinematography, lighting, shot blocking and working with actors in dramatic productions, employing continuity editing techniques. Suggested prerequisites: Film/Video/Digital 130, Introduction to Production. Instructor: Staff
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