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AMI 132S: From Stories to Movies
1.00 Credits
Duke University
The creation of scenes: writing, framing, story boards, directing. Not open to students who have taken this course as FVD 119S. Instructor: Staff
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AMI 132S - From Stories to Movies
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AMI 133S: Adapting Literature -- Producing Film
1.00 Credits
Duke University
Collaborative exploration of the process of adapting literature for production of documentary and or dramatic film projects. Generally linked to the production of a PBS or independent documentary film or the production of a short dramatic film. Students gain an understanding of the interdisciplinary aspects of filmmaking. Instructor: James
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AMI 133S - Adapting Literature -- Producing Film
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AMI 134S: Acting For the Camera
1.00 Credits
Duke University
Introduction to film and television acting. Not open to students who have taken this course as FVD 117S. Consent of instructor required. Instructor: Staff
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AMI 134S - Acting For the Camera
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AMI 135S: Film Animation Production
1.00 Credits
Duke University
Experimentation with various media; mastering animation techniques such as metamorphosis, timing, articulation, storytelling, sound design, special effects, and camera. Each student to produce a one-minute animated film on the Oxberry 16mm film animation stand. Not open to students who have taken this course as FVD 102S. Instructor: Burns
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AMI 135S - Film Animation Production
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AMI 136S: Motion Graphics in Film and Video
1.00 Credits
Duke University
An advanced post-production course designed to explore the history, theory, and practice of motion graphics techniques in film and video. Students produce digital motion sequences out of still images and create multiple motion paths through exposure to applications such as Adobe After Effects, Final Cut Pro, iMovie. Not open to students who have taken this course as FVD 109S. Consent of instructor required. Instructor: Staff
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AMI 136S - Motion Graphics in Film and Video
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AMI 137: Virtual Form and Space
1.00 Credits
Duke University
Studio course that explores various applications of virtual environments and specific 3D modeling techniques. Introduction to animation principles. Screenings, discussions, and lab. Not open to students who have taken this course as FVD 118. Prerequisites: Visual Arts 100 and consent of instructor required. Not open to students who have previously taken this course as Visual Arts 108. Instructor: Staff
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AMI 137 - Virtual Form and Space
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AMI 137FCS: Virtual Form and Space
1.00 Credits
Duke University
Studio course that explores various applications of virtual environments and specific 3D modeling techniques. Introduction to animation principles. Screenings, discussions, and lab. Not open to students who have taken this course as FVD 118. Not open to students who have previously taken this course as Visual Arts 108. Open only to students in the Focus Program. Instructor: Salvatella de Prada
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AMI 137FCS - Virtual Form and Space
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AMI 138S: Documentary Film/Video Theory and Practice (DS4)
1.00 Credits
Duke University
The politics and aesthetics of realism. History of styles from Griersonian "propaganda" to cinema verite and "reality TV." Practical exercises in location sound, camera to subject relationship, and camera movement. Prerequisite: English 101A, Literature 110, Literature 111S, or Theater Studies 171. Not open to students who have taken this course as FVD 104S. Instructor consent required. Instructor: Staff
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AMI 138S - Documentary Film/Video Theory and Practice (DS4)
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AMI 139S: The Documentary Experience: A Video Approach (A)
1.00 Credits
Duke University
A documentary approach to the study of local communities through video production projects assigned by the course instructor. Working closely with these groups, students explore issues or topics of concern to the community. Students complete an edited video as their final project. Not open to students who have taken this course as FVD 105S. Consent of instructor required. Instructor: Hawkins
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AMI 139S - The Documentary Experience: A Video Approach (A)
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AMI 140S: Planning the Documentary Film: From Concept to Treatment
1.00 Credits
Duke University
Historical documentary film preparation through narrative, character-driven stories. Using the raw material of real life, students organize the conceptual process for historical documentary films, framing a logical sequence of events structured for dramatic effect. Focus on the pre-production activities and principles that lead to a treatment that is the foundation for an efficient shooting schedule. Instructor: James
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AMI 140S - Planning the Documentary Film: From Concept to Treatment
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