[PORTALNAME]
Toggle menu
Home
Search
Search
Search Transfer Schools
Search for Course Equivalencies
Search for Exam Equivalencies
Search for Transfer Articulation Agreements
Search for Programs
Search for Courses
PA Bureau of CTE SOAR Programs
Transfer Student Center
Transfer Student Center
Adult Learners
Community College Students
High School Students
Traditional University Students
International Students
Military Learners and Veterans
About
About
Institutional information
Transfer FAQ
Register
Login
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
AMI 111Q: Existentialist Cinema
1.00 Credits
Duke University
Distinctively cinematic engagements with principal themes in the existentialist tradition: isolation and alienation, identity and commitment, perception and reality, communication and contact, madness and sanity. In-depth exploration of culturally specific filmic modes of capturing, processing, and transmitting images of human life and the myriad issues, moral conflicts, and dilemmas that inform it. Films to be considered will vary with different offerings of the course, but may include works of directors such as Herzog, Schloendorff, Fassbinder, Wenders, Bergman, Antonioni, Kurosawa, and Godard, among others. Instructor: Morton
Share
AMI 111Q - Existentialist Cinema
Favorite
AMI 112: Movies of the World/The World of Movies
1.00 Credits
Duke University
History and theory of film and video technology across nations; postcolonial patterns and their electronic and mechanical transmission; economics of distribution, reception, exhibition, and their relation to aesthetics. The first world defined against the second and third by means of cultural product. Instructor: Mottahedeh
Share
AMI 112 - Movies of the World/The World of Movies
Favorite
AMI 113: States of Exile and Accented Cinemas
1.00 Credits
Duke University
Geopolitics of situatedness and distance as they refer to the film industry. Production, distribution, and reception of exilic and diasporic films. Classical and artisanal modes of production in film. Questions of authorship and embodiment; human rights and interventionist filmmaking. States of liminality, global movements and capital. The experience of globalization, urbanization, alienation, violence, nostalgia for nature and homeland as represented in the filmic image. Instructor: Mottahedeh
Share
AMI 113 - States of Exile and Accented Cinemas
Favorite
AMI 114: Performance Traditions of the Middle East
1.00 Credits
Duke University
Religious, political, and philosophical currents informing performance traditions in theatre, mourning rituals, and films of the Near East and North Africa. Role of performance in construction of gendered and national identities. Ta'ziyeh, rowzah, street performance traditions and recitals, modern theatre, film traditions considered from comparative and historical perspectives. Instructor: Mottahedeh
Share
AMI 114 - Performance Traditions of the Middle East
Favorite
AMI 115S: Sexualities in Film and Video (DS4)
1.00 Credits
Duke University
The variety of ways sexualities are represented in current mainstream and avant-garde film and video art. Topics include voyeuristic, narcissistic, and other perverse pleasures; modes of representing bodies, genders, and desires (especially gay and lesbian ones) in relation to national and subcultural identities. Readings in film theory and the history and theory of film technology, as well as related literary and critical texts. Instructor: Clum, Metzger, or Gaines
Share
AMI 115S - Sexualities in Film and Video (DS4)
Favorite
AMI 116S: Transforming Fiction for Stage and Screen
1.00 Credits
Duke University
Theory and practice of the process of adaptation of serious literary works of fiction to screenplay or play form. Reading and analysis of literary works adapted as screenplays and plays. Project in writing an adaptation. Consent of instructor required. Instructor: Malone
Share
AMI 116S - Transforming Fiction for Stage and Screen
Favorite
AMI 117: World War II and French Film
1.00 Credits
Duke University
Film scripts, memoirs, novels, political and social history, and cinematic technique that inform the viewing of French films on World War II. Possible films to be viewed: Cl<130>ment's
Jeux interdits
, Malle's
Au revoir les enfants
and
Lacombe Lucien
, Miller's
L'accompagnatrice
, Yanne's
Boulevard des hirondelles
, and Lanzmann's
Shoah
. Instructor: Staff
Share
AMI 117 - World War II and French Film
Favorite
AMI 118S: Media Theory
1.00 Credits
Duke University
Introduction to the material and technical infrastructure that informs and constrains the production and dissemination of knowledge. Exploration of cultural impact of technical media from writing to the internet. Combines historical and theoretical discussion with hands-on experimentation with various media, including the codex book, phonography and sound registration technology, photography, cinematography, video, virtual reality, digital computation, and the internet. Instructor: Hansen
Share
AMI 118S - Media Theory
Favorite
AMI 119: INTRODUCTION TO GLOBAL LOS ANGELES: An interdisciplinary survey
1.00 Credits
Duke University
For students enrolled in the Duke in Los Angeles program. To explore Los Angeles as the model for a new global (visual) culture. Approaches include visual studies, art (installation, video, sculpture, murals, performance, theater, and music), ethnic studies, urbanism, environmental studies, public policy, history of social movements, border studies, immigration, and language acquisition. Class discussions, field trips, and independent research involved. Final project in lieu of final exam. Instructor: Gabara
Share
AMI 119 - INTRODUCTION TO GLOBAL LOS ANGELES: An interdisciplinary survey
Favorite
AMI 120: Special Topics in Film Studies
1.00 Credits
Duke University
Special Topics in Film Studies. Instructor: Staff
Share
AMI 120 - Special Topics in Film Studies
Favorite
First
Previous
31
32
33
34
35
Next
Last
Results Per Page:
10
20
30
40
50
Search Again
To find college, community college and university courses by keyword, enter some or all of the following, then select the Search button.
College:
(Type the name of a College, University, Exam, or Corporation)
Course Subject:
(For example: Accounting, Psychology)
Course Prefix and Number:
(For example: ACCT 101, where Course Prefix is ACCT, and Course Number is 101)
Course Title:
(For example: Introduction To Accounting)
Course Description:
(For example: Sine waves, Hemingway, or Impressionism)
Distance:
Within
5 miles
10 miles
25 miles
50 miles
100 miles
200 miles
of
Zip Code
Please enter a valid 5 or 9-digit Zip Code.
(For example: Find all institutions within 5 miles of the selected Zip Code)
State/Region:
Alabama
Alaska
American Samoa
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
District of Columbia
Federated States of Micronesia
Florida
Georgia
Guam
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maine
Marshall Islands
Maryland
Massachusetts
Michigan
Minnesota
Minor Outlying Islands
Mississippi
Missouri
Montana
Nebraska
Nevada
New Hampshire
New Jersey
New Mexico
New York
North Carolina
North Dakota
Northern Mariana Islands
Ohio
Oklahoma
Oregon
Palau
Pennsylvania
Puerto Rico
Rhode Island
South Carolina
South Dakota
Tennessee
Texas
Utah
Vermont
Virgin Islands
Virginia
Washington
West Virginia
Wisconsin
Wyoming
American Samoa
Guam
Northern Marianas Islands
Puerto Rico
Virgin Islands