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Course Criteria
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1.00 Credits
Analysis of films that portray social, economic, and political conflict in neighborhoods throughout the world. Exploration of the use of film and video to resolve conflict. Instructor: Wallace
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1.00 Credits
Analysis of the human cost of historical and current global conflict. Examination and production of videos that break down conflict to its most personal level, with particular attention to the way in which conflict manifests and is dealt with across cultures, the ethics of recreating personal stories through video, and portrayal of stories that are accessible and valuable even to those with no immediate stake in the situation. Instructor: Wallace
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1.00 Credits
Flows of image capital in the cinema century, 1895 to the present, across continents and cultures. History of intellectual property respecting new moving image and reproducible sound cultures. Circulation and distribution of entertainment goods, accelerated by electronic connection and technological change. Piracy in emerging nations placed in historical and comparative perspective. Instructor: Gaines
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1.00 Credits
Selected film genres and films as they illuminate political behavior. Ethical issues and controversies raised by the making and contents of films. Inducts students into the ways research is conducted in the study of films and the generation and presentation of knowledge in the discipline. Instructor: Paletz
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1.00 Credits
Films, documentaries, television series, and soap operas produced in Mainland China in the post-Mao era, modern and contemporary Taiwan, and Hong Kong. Topics include the history and aesthetics of the new wave cinema, soap operas as the new forum for public debate o popular culture, and debate over the relationship between Euro-American modernist and the national cinema. C-L Film Video. Instructor: Hong
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1.00 Credits
Historical overview of French cinema from the beginning of the sound period (1930). Films by directors such as Clair, Renoir, Carn<130>, Godard, Truffaut, and Varda. Readings in the theory of cinema by French theorists. Analysis of the position of French cinema within European and American cinema traditions. Instructor: Bell
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1.00 Credits
Introduction to innovative German films and important critical texts about film theory and film reception. Emphasis on methods of film analysis and vocabulary. Topics and themes include Myth and Modernity; German Women Filmmakers; Representations of the Holocaust in German Films; National Identity and German Film. Instructor: Gellen
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1.00 Credits
Sources of vitality in twentieth-century Indian cinema. The resilience of popular cinema in the face of Hollywood. Narrative and non-narrative expressive forms in folk and high culture in India. The work of Guru Dutt, Satyajit Ray, G. Aravindan, and Mani Kaul. Instructor: Khanna
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1.00 Credits
Introduction course to Italian cinema including silent films, Neorealism, fascist productions, Commedia all'italiana and experimentalism. Reading and discussions in English. Instructor: Dainotto and staff
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1.00 Credits
An introduction to the history of Japanese cinema focusing on issues including the relation between the tradition-modernity or Japan-West in the development of Japanese cinema, the influence of Japanese films on the theory and practice of cinema abroad, and the ways in which cinema has served as a reflection of and an active agent in the transformation of Japanese society. Instructor: Yoda
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