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Course Criteria
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1.00 Credits
Covers selected wars in the twentieth century by examining the intersections between the experience of war and the ways in which men and women represent themselves. Focus on World Wars I and II, Vietnam, the Algerian Revolution, the Lebanese Civil War, and the Gulf War. Instructor: Cooke
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1.00 Credits
Topics differ by section. Instructor: Staff
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1.00 Credits
Basic film theory and history of motion picture technology. Introduction to experimental, documentary, and narrative forms of Third World, European, and United States cinemas. Economics and aesthetics. Not open to students who have taken Theater Studies 132 or who have taken this course as FVD 130. Instructor: Gaines or Paletz
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1.00 Credits
Introduction to the history, theory, and styles of nonfiction film and video. Transformation in technologies and their influence on form, from actuality films to contemporary digital documentaries. Documentary's marginal status and surprising commercial appeal; the mixing of fiction and nonfiction strategies in cultural construction. Use of documentary as a tool for exploring individual identity, filmmaker/subject relationships, and fomenting political change. Instructor: Staff
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1.00 Credits
Integrated with the films and filmmakers of the Full Frame Documentary Film Festival. The art form, style, and technology of contemporary documentary films. Issues of autonomy and power, politics, and public policies. Analysis of outstanding films from around the world. Presentations and discussions by filmmakers. Not open to students who have taken this course as FVD 129. Instructor: Paletz and Rankin
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1.00 Credits
Recent critical developments in Marxist aesthetics, structuralism, semiotics of the image, feminist film theory. History and theory of film technology. Both experimental and Hollywood narrative films. Instructor: Gaines or Mottahedeh
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1.00 Credits
Examination of critical concepts in arts of the moving image from various perspectives. Spanning both traditional cinema and emergent fields. Emphasis on technology in relation to history and viewership. Exercises in film and digital production as well as theoretical writing. Instructor: Kaul
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1.00 Credits
Interpretations of the black diaspora in documentary film from slavery to the present. Interdisciplinary study of black religions, cultures, histories, aesthetics, politics, and their representations, both globally and in the U.S. Students will view and study a variety of films and approaches to film and study film's evolution through numerous lenses from early ethnographic film to recent works by indigenous filmmakers, and understand the politics of representation, from D.W. Griffith to Spike Lee; read relevant works in the genres represented; and hear from guest critics, scholars of African and African American history and culture, and filmmakers. Instructor: James
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1.00 Credits
A historical survey of motion picture genre as a stylistic and narrative device, including comedy, horror, the musical, the western, and science fiction. Instructor: Staff
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1.00 Credits
A historical survey of American film comedy from silent cinema to contemporary television and film. Instructor: Staff
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