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Course Criteria
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1.00 Credits
Asian/ American Cultural production from the late nineteenth century read in the context of United States colonialism and Asia/ Pacific wars and resultant migrations. Film and hypertext, lyrics (from poetry to rap), drama, fiction and non-fiction. Not open to students who have taken this course as English 179ES. Satisfies Area III requirement for English majors. Instructor: Staff
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1.00 Credits
Area requirements for the English major (Area I, II, or III) to be determined by the Director of Undergraduate Studies. Instructor: Staff
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1.00 Credits
Seminar version of 161. Area requirements (Area I, II, or III) for English majors will be determined by the Director of Undergraduate Studies. Instructor: Staff
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1.00 Credits
Plays by Arthur Miller, Tennessee William, Robert Anderson, Edward Albee, Lorraine Hansbury. Films include The Searchers, Shane, Rebel Without a Cause, and Vertigo. Instructor: Staff
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1.00 Credits
Focus on twentieth-century American poets; developments in style, subject, voice, diversity of representation, and impact of critical methodologies on shaping American poetic literature. Satisfies the Area III requirement for English majors. Instructor: Staff
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1.00 Credits
Major American women writers. Includes such areas as methods of interpretation, shaping of critical reputation, and impact of cultural movements on development of voice and literary approaches. Area requirements (Area I, II, and III) for English majors will be determined by the Director of Undergraduate Studies. Instructor: Staff
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1.00 Credits
Includes types such as faux memoir, dystopian novel, satire, realism in its high, middle, and low mimetic modes, the international political novel, faux essay, and experimental fictions for which literary criticism has yet to invent an adequately descriptive terminology. Focus on the works of George Orwell, Norman Mailer, Graham Greene, Raymond Carver, John Cheever, Thomas Bernhard, Saul Bellow, John Barth, and Donald Barthelme, with emphasis on ways in which a writer's artistic power recreates and reveals freshly subjects taken for granted. The novel as a special and disturbing way of knowing. Instructor: Lentricchia
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1.00 Credits
Readings cover a range of British and American writers from Bronte to Morrison. Focus is on dominant narratives and counter-narratives reflecting differing cultural constructions of gender, class, race, and sexuality in the novels, as well as evolving ideas of female authorship and their relation to the traditional western canon. Area requirements (Area I, II, III) for English majors will be determined by the Director of Undergraduate Studies. Instructor: Staff
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1.00 Credits
Oral and literary traditions from the American colonial period into the nineteenth century, including spiritual as lyric poetry and the slave narrative as autobiography. Not open to students who have taken the former English 167. Satisfies Area II requirement for the English major. Instructor: Staff
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1.00 Credits
Continuation of English 164A. The late nineteenth century to contemporary writers. Not open to students who have taken the former English 168. Satisfies the Area III requirement for English majors. Instructor: Staff
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