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Course Criteria
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1.00 Credits
Advanced black and white photography course exploring unique creative latitude of large negative format. Includes advanced printing/toning techniques and alternative processes such as platinum/palladium. Prerequisite: DOCST 115, Visual Arts 115, or its equivalent. Consent of instructor required. Instructor: Satterwhite
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1.00 Credits
Foundation class in black-and-white photographic process as the basis for using photography as a visual language. Class learns to make a printable exposure using black-and-white film, make a "proper proof" and an 8 x 10 enlargement. Assignments include portraits, alternative techniques, landscape, and a final portfolio that embodies a single visual idea. Consent of instructor required. Instructor: Hunter
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1.00 Credits
Emphasis on the tradition and practice of documentary photography as a way of seeing and interpreting cultural life. The techniques of black-and-white photography - exposure, development, and printing - diverse ways of representing the cultural landscape of the region through photographic imagery. The role such issues as objectivity, clarity, politics, memory, autobiography, and local culture play in the making and dissemination of photographs. Instructor: Rankin
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1.00 Credits
Survey of historic photographic processes, including Gun Bichromate, Cyanotype, Kalotype and Platinum/Palladium printing. Consent of instructor required. Instructor: Hunter
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1.00 Credits
Hands-on introduction to the practical skills, theoretical grounding, and ethical sensitivities needed to conduct documentary research on controversial environmental issues. Emphasis on responsibly eliciting and representing diverse stakeholder views. Students will conduct fieldwork on land use change in coastal communities as part of an ongoing Duke Marine Lab research project. Methods introduced will include interviewing, video/audio recording, documentary photography, interview data analysis, and basic video editing. Student teams will produce edited video segments for presentation to a community audience. (Given at Beaufort.) Instructor: Cumming
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1.00 Credits
Storytelling techniques of magazine journalism; historical and contemporary writing for magazines; and visual impact in print. Students develop experience in different kinds of magazine writing, collaborate on a magazine produced by the class, contribute to campus publications. Consent of instructor required. Instructor: Bliwise
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1.00 Credits
Introduction to documentary research methods for film, photography, audio, narrative. Fieldwork with community resources, documents, oral histories, photographs, artifacts, archives. Collaborative project about North Carolina's past and independent project on student's own research interests. Instructor: Staff
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1.00 Credits
A documentary and sociological approach to the idea of the American Dream, using readings, photography, films, and visual sociological research. Ideology of attainable prosperity by different groups of people; cultural and material symbols of the dream. Field-based course. Consent of instructor required. Instructor: Staff
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1.00 Credits
Uses the Duke Library Photography Archive as a resource to challenge students to think critically about photography. Considers how photography offers insights into areas of academic study such as social change, sexual identity, and regional culture, and how images have shaped collective understanding of these issues. Focuses on analyzing and contextualizing bodies of photographic work, the historical moment in which the pictures were made, personal history and artistic sensibility of the photographer, tools of the medium, along with considering personal responses to images and the ways in which all factors come together. Instructor: Sartor
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1.00 Credits
Oral history methodology and documentary techniques, centered on the Jim Crow South. Focus on the "Behind the Veil" oral history collection, video, audio, and secondary reading materials. Demography, theory and practice of oral history documentary methodology, fundraising, preservation, processing, dissemination, promotion, releases, copyright, and other legal matters. Instructor: Staff
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