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SLAVGEN 190: Tolstoy's Anna Karenina in Dialogue with Contemporary Philosophical,Social,and Ethical Thought
3.00 - 4.00 Credits
Stanford University
(Same as HUMNTIES 197F, SLAVGEN 290.) Themes: institutions of the family and gender; debate about the female body, church, and religion; the decline of privilege and the rise of capital and industry; the meaning of art and the artist; conflicts of law and custom, country and city, andnationalism and cosmopolitanism; and the ascetic rejection of the world. Authors include Marx, Mill, Nietzsche, Dostoevsky, Weber, and Freud. GER:DB-Hum, DBHum, EC-EthicReas 3-4 units, Spr (Freidin, G)
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SLAVGEN 190 - Tolstoy's Anna Karenina in Dialogue with Contemporary Philosophical,Social,and Ethical Thought
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SLAVGEN 195: Russian Theater
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 295.) Reading plays in juxtaposition with clips from performances and famous directors' writings (Stanislavsky, Meyerhold, and beyond). Evolution of Russian theatrical theory and practice, with particular attention to the present. Some knowledge of Russian desirable. GER:DB-Hum 3-4 units, Aut (Greenleaf, M)
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SLAVGEN 195 - Russian Theater
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SLAVGEN 210: The Gogol Bordello:Ukraine as a Meeting House of Cultures
3.00 - 5.00 Credits
Stanford University
(Same as SLAVGEN 110.) The cohabitation of authors and cultural geography in multiethnic Ukraine. Comparison of Ukrainian texts, images of Ukraine and Ukrainians by their Polish, Jewish, German, and Russian cohabitants. Possible authors include : Andrukhovych, Aleichem, Babel, Celan, Franko, Gogol, Lewycka, Mickiewicz, Shevchenko, Pushkin, Schulz, Ukraina, and Zabuzhko. 3-5 units, not given this year
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SLAVGEN 210 - The Gogol Bordello:Ukraine as a Meeting House of Cultures
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SLAVGEN 222: Yiddish Story
5.00 Credits
Stanford University
(Same as SLAVGEN 122.) The humor, drama, anger, and artistry of modern E. European and American Yiddish writers including Sholem Aleichem, I. L. Peretz, Isaac Bashevis Singer, Chaim Grade, and Yankev Glatshteyn. In English. 5 units, not given this year
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SLAVGEN 222 - Yiddish Story
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SLAVGEN 223: The Yiddish Novel
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 123.) How Yiddish novels reveal changes in modern Jewish life and literature in Europe and the U.S. The influences of folklore, traditional Jewish culture, and European literature. Works by Isaac and Joshua Singer, Joseph Opatoshu, Der Nister, Chava Rosenfarb, Sholem Asch, and David Bergelson. Readings in English; optional sessions for close readings in Yiddish. 3-4 units, not given this year
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SLAVGEN 223 - The Yiddish Novel
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SLAVGEN 233: Poles and Others:Literature and History in Modern Poland
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 133.) The physical and cultural territories of the former Polish-Lithuanian Commonwealth have long been objects of contest. The 20th century witnessed two or three rebirths of Poland and one or two deaths; a belated modernization of Polish society; the final inclusion of Polish-speaking peasants and burghers in a Polish national identity; and the exclusion of Jews, Germans, Lithuanians, Belarusans, Ukrainians, and others from the state and participation in a partially shared culture. 3-4 units, not given this year
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SLAVGEN 233 - Poles and Others:Literature and History in Modern Poland
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SLAVGEN 241: Staging the Revolution:Russian Theater and Society,1917-1937
4.00 Credits
Stanford University
(Same as SLAVGEN 141.) Between 1917 and 1937, artistic experimentation in the Russian theater coincided with political and social changes in Russian society. Modernist artists interpreted the revolution as an artistic possibility to demolish conventions of representation. Mass festivals, circus, and street performances replaced the old theater. In the time of the Great Terror and staged trials, theater and opera remained among the leading arts, but state patronage caused a major reorientation of artistic practices. Readings include plays by Mayakovsky, Bulgakov, Babel, Tretiakov, and Erdman. Readings in English. 4 units, not given this year
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SLAVGEN 241 - Staging the Revolution:Russian Theater and Society,1917-1937
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SLAVGEN 245: Age of Experiment:From Pushkin to Gogol
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 145.) The Russian leap into European culture after the Napoleonic Wars and the formative period of Russian literature. Readings seen as local literary developments and contemporary European trends including Pushkin's Eugene Onegin, The Belkin Tales, and The Captain's Daughter; Lermontov' s Heroof Our Time; and Gogol's Petersburg Tales and Dead Souls. 3-4 units, Aut (Fleishman, L)
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SLAVGEN 245 - Age of Experiment:From Pushkin to Gogol
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SLAVGEN 246: History and Other Theories of Time and Action in the Great Russian Novel
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 146.) Connections of philosophy to literary form in Turgenev's Fathers and Sons, Tolstoy' s War and Peace, Dostoevsky's The Brothers Karamazov, and Chekov' s The CherryOrchard, and other stories. 3-4 units, Win (Greenleaf, M)
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SLAVGEN 246 - History and Other Theories of Time and Action in the Great Russian Novel
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SLAVGEN 247: The Age of War and Revolution:A Survey of Russian Literature and Culture,1900-1950s
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 147.) First of two-part sequence. Russian modernism and the avant garde.The Russian Revolution, the era of the NEP, Soviet civilization, and the literature of opposition following Stalin's death. Texts in English translation. 3-4 units, Spr (Fleishman, L)
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SLAVGEN 247 - The Age of War and Revolution:A Survey of Russian Literature and Culture,1900-1950s
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