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SLAVGEN 150: Countercultures in Conversation:Russian and American Rock Music and Protest Poetry
3.00 Credits
Stanford University
(Same as SLAVGEN 250.) Non-conformist protest movements in contemporary Russian poetry; historical and cultural context; and comparison with similar processes in American social and cultural life. Sources include Russian and American poetry, songs, and DVDs. Fourth unit for readings in Russian. GER:DB-Hum 3-4 units, not given this year
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SLAVGEN 150 - Countercultures in Conversation:Russian and American Rock Music and Protest Poetry
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SLAVGEN 151: Dostoevsky and His Times
4.00 Credits
Stanford University
(Same as COMPLIT 119, COMPLIT 219, SLAVGEN 251.) Open to juniors, seniors, and graduate students. Major works in English translation with reference to related developments in Russian and European culture, literary criticism, and intellectual history. GER:DB-Hum 4 units, Win (Frank, J)
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SLAVGEN 151 - Dostoevsky and His Times
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SLAVGEN 153: Russian Jewish LIterature
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 253.) Russian Jewish experience inspired books and films in Hebrew, Yiddish, Russian and English that reveal a world of conflict, humor and beauty. From the mid-19th century to the t21st century. Authors include Haim Nahman Bialik, Sholem Aleichem, Isaac babel, Osip Mandelstam, Joseph Brodsky, Leonid Tsypkin, Ludmila Ulitskaia, Gary Shteyngardt. 3-4 units, Win (Safran, G)
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SLAVGEN 153 - Russian Jewish LIterature
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SLAVGEN 155: Anton Chekhov and the Turn of the Century
4.00 Credits
Stanford University
(Same as SLAVGEN 255.) Chekhov's art in its Russian literary, historical, philosophical, and political contexts. Short stories and major plays; supplemental readings for graduate students from Chekhov's letters and works by his friends and contemporaries, such as Leskov, Tolstoy, Korolenko, and Gorky. GER:DB-Hum 4 units, Spr (Safran, G)
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SLAVGEN 155 - Anton Chekhov and the Turn of the Century
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SLAVGEN 156: Nabokov in the Transnational Context
3.00 - 4.00 Credits
Stanford University
(Same as COMPLIT 115, COMPLIT 215, SLAVGEN 256.) Nabakov's techniques of migration and camouflage as he inhabits the literary and historical contexts of St. Petersburg, Berlin, Paris, America, and Switzerland. His early and late stories, last Russian novel The Gift, Lolita ( the novel and screenplay), and Pale Fire. Readings in English.GER:DB-Hum 3-4 units, Spr (Greenleaf, M)
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SLAVGEN 156 - Nabokov in the Transnational Context
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SLAVGEN 162: Gender Images in Film
3.00 Credits
Stanford University
(Same as SLAVGEN 262.) Film creates permanent new images of femininity. One of its conscious prerequisites is the notion of social stereotypes. The development of enduring images of the film heroine, 1914-90, through a comparison of the Russian, American, and W. European cinema, and analytical approaches to them from feminist film theory. GER:EC-Gender 3 units, not given this year
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SLAVGEN 162 - Gender Images in Film
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SLAVGEN 163: Gender in Postwar Russian Culture
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 263.) Issues of femininity and masculinity in Russian literature, film, and popular culture from the 40s to the present. Readings include fiction, memoirs, poetry, drama, and theoretical works in gender studies. GER:EC-Gender 3-4 units, not given this year
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SLAVGEN 163 - Gender in Postwar Russian Culture
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SLAVGEN 165: Poetry,Painting,and Music of the Russian Avant Garde
3.00 - 4.00 Credits
Stanford University
(Same as SLAVGEN 265.) Interrelationships between poetry and other arts in Russia, 1905-30. The pursuit of synthesis of arts and the modernist agenda of life creation and immortality. Parallel developments in literature, painting, and music, and style and poetics. Russian modernist poetry in the context of changes in the language of visual arts and music). Women poets and artists. Native sources and Western influences; non-Russian elements and transnational tendencies. The impact of scientific discoveries and technological inventions on artistic experimentation. 3-4 units, not given this year
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SLAVGEN 165 - Poetry,Painting,and Music of the Russian Avant Garde
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SLAVGEN 169: Mermaids,the Firebird,and the Singing Tree:Russian Folklore and Its Theory
3.00 - 5.00 Credits
Stanford University
(Same as SLAVGEN 269.) Russian culture through its oral folklore and music. Theory, current data and its interpretation, how scholars collect and understand traditional oral poetry, and the lessons of folklore. GER:DB-Hum 3-5 units, not given this year
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SLAVGEN 169 - Mermaids,the Firebird,and the Singing Tree:Russian Folklore and Its Theory
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SLAVGEN 181: Philosophy and Literature
4.00 Credits
Stanford University
Required gateway course for Philosophical and Literary Thought; crosslisted in departments sponsoring the Philosophy and Literature track: majors should register in their home department; non-majors may register in any sponsoring department. Introduction to major problems at the intersection of philosophy and literature. Issues may include authorship, selfhood, truth and fiction, the importance of literary form to philosophical works, and the ethical significance of literary works. Texts include philosophical analyses of literature, works of imaginative literature, and works of both philosophical and literary significance. Authors may include Plato, Montaigne, Nietzsche, Borges, Beckett, Barthes, Foucault, Nussbaum, Walton, Nehamas, Pavel, and Pippin. GER:DB-Hum 4 units, Win (Anderson, L; Vermeule, B)
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SLAVGEN 181 - Philosophy and Literature
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