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Course Criteria
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3.00 Credits
This class is dedicated to studio lighting and medium, as well as large format studio camera operation. The course includes instruction in the use of strobe lighting, quartz hot lights, and reflector and soft box lighting. The course also includes operation of medium format and 4 by 5 sheet film cameras in the studio environment. A variety of subjects are covered, including still life and portraiture. Prerequisites: 'C-' or better in ART 2720.
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3.00 Credits
Studio as Conceptual Practice will explore the technical and aesthetic capabilities of Lighting. Building on the tools learned in Photographic Studio, this course aims to give the participants practical experience within the confines of studio production, both pre- and post-production. It is designed to equip students with a working knowledge of the techniques used to control light in a studio or other controlled environment. Digital capture and film will be used to complete course assignments. Contemporary issues and concepts are explored through reading, visual research and discussion, and then applied through a series of visual problems.
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3.00 Credits
This class investigates a variety of photographic processes that evolved in the second half of the nineteenth century. Students will explore the historical and chemical aspects of the following processes: pinhole photography, paper negatives, cyanotypes, Van Dykes, and gum dichromate prints. Students will also make enlarged negatives with ortho-litho film. There will be in-class writing assignments on the required readings from the textbook. Prerequisites: 'C-' or better in ART 3725
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3.00 Credits
This course will explore the concept of creating immersive worlds and developing a unique visual style. Students will be encouraged to think about what they are drawing both on and off the page, and how to adapt their work to fit different markets. Aside from broad visual topics such as sequence and continuity, students will begin to look at other potential avenues for illustration, mostly in the area of visual development. Students will use this course to develop a consistent way of looking at and interpreting their surroundings on the page, and learn to inject authorship into their role as an illustrator. Prerequisites: 'C-' or better in ART 2450
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3.00 Credits
The class continues the exploration of letterpress printing. Students work with the instructor to design their program of study. Students are expected to work at a more advanced level. Prerequisites: "C-" or better in ART 3060.
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3.00 Credits
The class continues the exploration of bookbinding. Students work with the instructor to design their program of study. Students are expected to work at a more advanced level. Prerequisites: "C-" or better in ART 3065.
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3.00 Credits
This class provides the opportunity to become immersed in letterpress printing. Students work with the instructor to design their syllabus. Using the Rare Books collections as a resource, students research individual interests and produce work inspired by master binders' and book artists standards, formats, techniques, approach, and concepts. Instructor provides instruction in particular methods according to students' needs. Students are held to very rigorous standards of craftsmanship and project development. Prerequisites: "C-" or better in ART 4060.
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3.00 Credits
This class provides the opportunity to become immersed in bookbinding. Students work with the instructor to design their program of study. Using the Rare Books collections as a resource, students research individual interests and produce work inspired by master binders' and book artists standards, formats, techniques, approach, and concepts. Instructor provides instruction in particular methods according to students' needs. Students are held to very rigorous standards of craftsmanship and project development. Prerequisites: "C-" or better in ART 4065.
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3.00 Credits
This studio course explores the principles and practices of book planning, design, and production. The meaning of visible language is investigated through typography, design, and layout. Students publish a variety of book and book-related projects through varied means of production, utilizing both digital and analog technologies. Meets with BART 4080.
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3.00 Credits
For non-ART majors. This course provides bookbinding skills in various traditional and modern forms and presents numerous additional book forms as exemplars. Students cultivate individual projects around these models, based on each project's needs. The appropriate format for individuals' ideas is identified, adapted, customized, applied, and produced. The course covers content development, book design, integration of various media, low-tech image making processes, and the functionality of various bookmaking materials.
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