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  • 4.00 Credits

    An intermediate-level course in graphic design. This course is a continuation of 3610. Through an investigative process the basic design and hand skills necessary for contemporary typography and graphic design are thoroughly explored. Prerequisites: 'C' or better in (ART 3610 AND ART 3630) AND Emphasis in Graphic Design. Corequisites: DESGR 2600 AND ART 3640.
  • 3.00 Credits

    Advanced design methodology and processes are explored through the development of a series of graphic exercises and assignments. Problems provide students with a technical understanding of the digital and manual skills necessary for professional production of contemporary typography and graphic design. Prerequisites: "C" or better in (ART(2201 AND 2202 AND 2203 AND 2204 AND 2205 AND 2206 AND 2207 AND 2208 AND 2400) OR ART(2200 AND 2250 AND 2300 AND 2350 AND 2400)) AND Emphasis in Graphic Design. Corequisites: ART 3610.
  • 4.00 Credits

    An introductory exploration into the basic formal processes, color, and structural elements utilized within graphic design. Prerequisites: 'C' or better in (ART 3610 AND ART 3630) AND Emphasis in Graphic Design. Corequisites: DESGR 2600 AND ART 3620.
  • 4.00 Credits

    An intermediate-level course in graphic design. The studio course addresses solving visual communication problems through defining objectives, methods, research, visual thinking, and the exploration of imagery and typography in its two- and three-dimensional state. Prerequisites: 'C-' or better in (DESGR 2600 AND ART 3620 AND ART 3640 AND (ART 3130 OR ART 3135)) AND Emphasis in Graphic Design. Corequisites: ART 3680.
  • 3.00 Credits

    An exploration of typographic structures, terminology, methods and visual problem solving. The studio course addresses typographic design as a practical form of problem solving both on and off the computer. Prerequisites: 'C-' or better in (DESGR 2600 AND ART 3620 AND ART 3640 AND (ART 3130 OR ART 3135)) AND Emphasis in Graphic Design. Corequisites: ART 3650.
  • 3.00 Credits

    Medium & Large Format Photography focuses on advanced camera operations and film and darkroom techniques using medium format and large format 4x5 view cameras. This course introduces more advanced photographic concepts through group discussions, readings, lectures, and individual projects, while continuing to emphasize aesthetic presentation. Additionally, various technical controls are investigated, including water-bath developing, bleaching and toning, archival printing, and zone system.Medium format and large format 4x5 view cameras are available for check-out from the photography area. Various technical controls are investigated, including water-bath developing, bleaching and toning, archival printing. The student is also made aware of historical and critical issues through a reading list and slide presentations. Group discussions are an integral part of this course. Prerequisites: Declared Emphasis or Minor in Photography & Digital Imaging OR Declared Major in Film & Media Arts OR Instructor Consent
  • 3.00 Credits

    This class is dedicated to studio lighting and medium, as well as large format studio camera operation. The course includes instruction in the use of strobe lighting, quartz hot lights, and reflector and soft box lighting. The course also includes operation of medium format and 4 by 5 sheet film cameras in the studio environment. A variety of subjects are covered, including still life and portraiture. Prerequisites: 'C-' or better in ART 2720.
  • 3.00 Credits

    Studio as Conceptual Practice will explore the technical and aesthetic capabilities of Lighting. Building on the tools learned in Photographic Studio, this course aims to give the participants practical experience within the confines of studio production, both pre- and post-production. It is designed to equip students with a working knowledge of the techniques used to control light in a studio or other controlled environment. Digital capture and film will be used to complete course assignments. Contemporary issues and concepts are explored through reading, visual research and discussion, and then applied through a series of visual problems.
  • 3.00 Credits

    This class investigates a variety of photographic processes that evolved in the second half of the nineteenth century. Students will explore the historical and chemical aspects of the following processes: pinhole photography, paper negatives, cyanotypes, Van Dykes, and gum dichromate prints. Students will also make enlarged negatives with ortho-litho film. There will be in-class writing assignments on the required readings from the textbook. Prerequisites: 'C-' or better in ART 3725
  • 3.00 Credits

    This course will explore the concept of creating immersive worlds and developing a unique visual style. Students will be encouraged to think about what they are drawing both on and off the page, and how to adapt their work to fit different markets. Aside from broad visual topics such as sequence and continuity, students will begin to look at other potential avenues for illustration, mostly in the area of visual development. Students will use this course to develop a consistent way of looking at and interpreting their surroundings on the page, and learn to inject authorship into their role as an illustrator. Prerequisites: 'C-' or better in ART 2450
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