|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
3.00 Credits
Particular investigation of form relationships in wheelthrown and handbuilt ceramics. Includes organic vs. geometric, proportions, etc. Prerequisites: "C-" or better in (ART 3210 AND ART 3220) OR Instructor Consent.
-
3.00 Credits
Surface treatment of wheelthrown and/or handbuilt forms using a variety of procedures and techniques. Contemporary ceramic form emphasizing surface development. Prerequisites: "C-" or better in ((ART 3210 OR CERM 3210) AND (ART 3220 OR CERM 3220)) OR Instructor Consent.
-
3.00 Credits
The class introduces the nature, formation, and testing of clays, clay bodies, and glazes. Includes study of raw oxides, materials, glaze calculation, and safety. Prerequisites: "C-" or better in (ART 3210 OR ART 3220).
-
3.00 Credits
In this course, students will deepen their engagement with source materials by learning to analyze writing, and draw out interesting stories from even the blandest text. The course will cover strategies for pulling themes and key information from text, and students will have opportunities to write and illustrate their own stories. Students will focusing on editorial, publishing, and comics markets, and gain experience illustrating a wide variety of source materials including: journalistic articles, short fiction, children's book prose, poetry, scientific journals, and interpretive signage. This course will prepare students to confidently approach any type of source material and transform it into a more powerful visual narrative. Prerequisites: "C-" or better in ART 2450.
-
3.00 Credits
An exploration of methods of cutting images in wood and printing them on paper, including black and white multi-block color, rice paper, and mold-made rag papers, press printing, and hand burnishing. Woods include solid pine, birch ply, mahogany ply, and others. Insights into the field of printmaking in general. Emphasis on continuing development of the relief print. Evaluation based on a portfolio of work plus general energy and involvement. Students buy a set of Japanese tools (unless they have adequate tools). Prerequisites: Full Major status in BFA Studio Art OR "C-" or better in (ART 2201 AND ART 2202 AND ART 2203 AND ART 2204 AND ART 2205 AND ART 2206 AND ART 2207 AND ART 2208)
-
3.00 Credits
Survey of technical methods involved in developing, processing, and printing images on lithographic stones (and occasionally plates). Primarily black and white, with some color as well. Insights into the field of printmaking in general. Emphasis on continuing development of individual personal imagery in the context of lithography. Evaluation based on a portfolio of work plus general energy and involvement. Prerequisites: Full Major status in BFA Studio Art OR "C-" or better in (ART 2201 AND ART 2202 AND ART 2203 AND ART 2204 AND ART 2205 AND ART 2206 AND ART 2207 AND ART 2208)
-
3.00 Credits
Survey of technical methods involved in developing and printing of screen images on paper. Stencil building methods feature photo film (with photographic, xerox, and drawn imagery) but also include a range of hand-built methods (glue, resist, cut film, paper stencil, etc.). Insights into the field of printmaking in general. Students may build their own screens or use furnished screens. Emphasis on continuing development of individual personal imagery in the context of the screen print. Evaluation based on a portfolio of work plus general energy and involvement. Prerequisites: Full Major status in BFA Studio Art OR "C-" or better in (ART 2201 AND ART 2202 AND ART 2203 AND ART 2204 AND ART 2205 AND ART 2206 AND ART 2207 AND ART 2208)
-
3.00 Credits
A survey of technical methods involved in developing and printing zinc intaglio plates, including line etch, aquatint, drypoint, soft ground, lift ground, white ground, etc. Brief exploration of color methods in intaglio. Insights into the field of printmaking in general. Emphasis on continuing development of individual personal imagery in the context of intaglio printing. Evaluation based on a portfolio of work plus general energy and involvement. Prerequisites: Full Major status in BFA Studio Art OR "C-" or better in (ART 2201 AND ART 2202 AND ART 2203 AND ART 2204 AND ART 2205 AND ART 2206 AND ART 2207 AND ART 2208)
-
3.00 Credits
Using movable type, linoleum blocks, pressure print matrices, collagraphs, photoengraving, and photopolymer plates, students design and print several editions on hand-operated letterpresses. Through discussion and critique, students learn basic elements of design and typography with the option of integrating other printing processes into letterpress work. Typically, students participate in a class print exchange. The class also views letterpress work from the Marriott Library's Rare Books Collection. Prerequisites: Full Major status in BFA Studio Art OR "C-" or better in (ART 2201 AND ART 2202 AND ART 2203 AND ART 2204 AND ART 2205 AND ART 2206 AND ART 2207 AND ART 2208)
-
3.00 Credits
This course explores the basic elements of bookbinding, including structure, materials, tools, and techniques. Students construct a variety of book forms and enclosures, and complete creative final projects that integrate skills learned during the semester with original concept and design. Modern and historical structures from Eastern and Western traditions are considered within the context of the history of the book. In this introductory class, discussion, critique, readings, and lectures support hands-on learning. Prerequisites: Full Major status in BFA Studio Art OR "C-" or better in (ART 2201 AND ART 2202 AND ART 2203 AND ART 2204 AND ART 2205 AND ART 2206 AND ART 2207 AND ART 2208)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Cookies Policy |
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2025 AcademyOne, Inc.
|
|
|