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Course Criteria
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3.00 Credits
Advanced problems in drawing and design for non-art majors. Several graphic media are used during the semester - charcoal, pencil, pen and ink. Exercises include understanding of light and shade and aspects of line relating to texture, contour and form. Prerequisites: ART 1020 OR Instructor Consent.
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3.00 Credits
Exploration of materials, scale, and forms on the advanced level. Students will practice with perceptual and non-representational subjects. Prerequisites: ART 1030 OR Instructor Consent.
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4.00 Credits
Meets with ART 3310. The aim of this course is to introduce the student to woodcut and relief techniques to successfully create prints, and editions of prints, utilizing your own unique and personal imagery. Techniques covered by this course will include the drawing and development of images, the cutting of different kinds of wood and Sintra (a rigid PVC foam) and printing in both black and white and color. Non-Majors will do the same number of projects as the majors but the physical expectations will be lower. This will mean a lower number of layers required in later projects and a reduction in size of print. Prerequisites: Instructor Consent.
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3.00 Credits
Meets with ART 3320. The aim of this course is to introduce the student to lithographic techniques to successfully create prints, and editions of prints, utilizing your own unique and personal imagery. Techniques covered by this course will include the drawing and development of images and the development of Polyester printing plates, Aluminum plates and litho stones and will include printing in both black and white color. Non-majors will do the same number of projects as the majors but the physical expectations will be lower. This will mean a reduction in size of the print (smaller stone) and a small edition of prints for the final. Prerequisites: Instructor Consent.
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3.00 Credits
Meets with ART 3330. The aim of this course is to introduce the student to different Screenprint processes to successfully create prints, and editions of prints, utilizing your own unique and personal imagery. Techniques covered by this course will include the use of photographic imagery, including color separations and photocopies, hand drawn stencils, separations using mylar and monoprint screenprinting. Non-majors will do the same number of projects as the majors but the physical expectations will be lower. This will mean a lower number of color layers required in later projects and a reduction in size of the print. Prerequisites: Instructor Consent.
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3.00 Credits
Meets with ART 3340. The aim of this course is to introduce the student to the different techniques for making intaglio prints with the main focus being the development of your own unique imagery. The techniques covered will include the use of hard and soft grounds, aquatints, spit biting, sugar lift and the use of hand tools such as the roulette. We will also use different methods for creating color prints and these will included surface rolling techniques, the use of multiple plates (and registration), inking one plate with different colors (a la poupe) and simultaneous printing. Non-majors will do the same number of projects as the majors but the physical expectations will be lower. This will mean a reduction in size and a small edition of prints for the final. Prerequisites: Instructor Consent.
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3.00 Credits
A class designed for non-art and art majors. The class specializes in drawing the human head and hands.
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3.00 Credits
A class designed for non-art and art majors. A theoretical and practical grounding in conceptual and technical skill building to translate the landscape with oil and acrylic paint. Students will receive specific procedures and demonstrations that will prepare them to venture outdoors and paint on location. This is a step-by-step approach for both beginners and intermediate painters.
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3.00 Credits
Using movable type, linoleum blocks, pressure print matrices, collagraphs, photoengraving, and photopolymer plates, students design and print several editions on hand-operated letterpresses. Through discussion and critique, students learn basic elements of design and typography with the option of integrating other printing processes into letterpress work. Typically, students participate in a class print exchange. The class also views letterpress work from the Marriott Library's Rare Books Collection.
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3.00 Credits
This course explores the basic elements of bookbinding, including structure, materials, tools, and techniques. Students construct a variety of book forms and enclosures and complete creative final projects that integrate skills learned during the semester with original concept and design. Modern and historical structures from Eastern and Western traditions are considered within the context of the history of the book. In this introductory class, discussion, critique, readings, and lectures support hands-on learning.
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