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Course Criteria
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3.00 Credits
Study of 19th and 20th century poetry, fiction, and painting through the major literary and artistic movements: Romanticism, Realism, Symbolism, Surrealism, and the post-war era.
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3.00 Credits
Acquisition of French phonetic system through intensive class and laboratory practice. Contrast analysis of the French and English phonetic systems. Minimal use of technical terminology.
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3.00 Credits
The course will focus on the practice of writing as a discursive discipline. It will also closely examine, from both a stylistic and rhetorical point of view, creative and critical prose by Barthes, Djebar, Sarraute, and others. Required of majors. Open to non-majors if space is available.
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1.00 - 5.00 Credits
Topics may vary. Please consult with the department for additional information.
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3.00 Credits
Comparison between French novels from the 16th to the 20th centuries and movies that have been based on them, in some cases more than one movie based on a given novel. The class will read each novel in question and then examine how the director perceived it when making the film. For example, La Reine Margot, Tous les Matins du Monde, Liaisons Dangereuses, Madame Bovary, Cyrano de Bergerac, Hiroshima mon amour.
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3.00 - 4.00 Credits
This course examines the impact of immigration on contemporary French society and analyzes debates over citizenship, integration, and multiculturalism. Variable credit 3-4 credits, the fourth credit is for those who will do the study abroad segment at the end, pending funding.
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3.00 Credits
This seminar focuses on various literary, artistic, and political expressions of "francohonie" as both legitimated and contested concept. It encompasses a plurality of geo-cultural areas: sub-Saharan Africa, the Maghreb, and the Caribbean, and Quebec. It also examines how notions of postcolonialism and transnationalism intersect discourses of postmodernity. Undergraduate version of FREN 574 with shorter reading list and research paper.
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3.00 Credits
Topics may vary. Please consult department for additional information.
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3.00 Credits
The seminar focuses on various literary, artistic, and political expressions of "francophonie" as both legitimated and contested concept. It encompasses a plurality of geo-cultural areas: sub-Saharan Africa, the Maghreb, and the Caribbean, and Quebec. It also examines how notions of postcolonialism and transnationalism intersect discourses of postmodernity.
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1.00 - 15.00 Credits
No course description available.
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