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Course Criteria
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3.00 Credits
An introduction to feminist theory. Topics include cross-cultural gender identities; the development of "masculinity" and "femininity"; racial, ethnic, class, and national differences; sexual orientations; the function of ideology; strategies of resistance; visual and textual representations; the nature of power.
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3.00 Credits
Prose and poetry of the sixteenth century. Emphasis on Spenser and his contemporaries.
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3.00 Credits
Poetry and prose from 1600 to the English Civil War, such as Metaphysical and Cavalier poetry, essays, romances, and satires. Authors may include Bacon, Cavendish, Donne, Herbert, Jonson, Lanier, Marvell, and Wroth.
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3.00 Credits
English drama, exclusive of Shakespeare, from 1550-1642: Marlowe, Jonson, Webster, and others.
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3.00 Credits
The early English poems; Paradise Lost, Paradise Regained, and Samson Agonistes; the major prose.
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3.00 Credits
Explorations of the aesthetic and social world of letters from the English Civil War to the French Revolution. Drama, poetry, and prose, including Restoration plays, political poetry, satire, travel narratives, and tales. Authors may include Behn, Dryden, Congreve, Addison, Swift, Finch, Pope, Fielding, Burney, Johnson, and Inchbald. Earlier writers.
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3.00 Credits
Explorations of the aesthetic and social world of letters from the English Civil War to the French Revolution. Drama, poetry, and prose, including Restoration plays, political poetry, satire, travel narratives, and tales. Authors may include Behn, Dryden, Congreve, Addison, Swift, Finch, Pope, Fielding, Burney, Johnson, and Inchbald. Later writers.
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3.00 Credits
Prose and poetry of the Wordsworths, the Shelleys, Byron, Keats, and others.
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3.00 Credits
Continuation of 254a. Prose and poetry of the Wordsworths, the Shelleys, Byron, Keats, and others.
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3.00 Credits
Works of Tennyson, Browning, Arnold, Hardy, and others.
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