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Course Criteria
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3.00 Credits
Mid-1950s to mid-1970s. The rise and influence of social movements in the 1960s, including civil-rights, student, anti-Vietnam War, feminist, and countercultural.
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3.00 Credits
The nature of tourist encounters. Marketing and displaying culture to tourists. Implications for urban economies and landscapes, and for tourists and locals. Biweekly field trips in Nashville.
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3.00 Credits
History, theory, and ethics of visual images in sociological research. Truth status of visual data. How individuals and groups use photographs to make sense of social worlds. Race, ethnicity, gender, social class, and their visual documentation. Methods for collection and analysis of visual data, especially photographs. Prerequisite: 101, 102, 104, or ANTH 101.
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3.00 Credits
The mutual influence of demographic factors and social structure. Trends in fertility, mortality, population growth, distribution, migration, and composition. Population policy and national development.
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3.00 Credits
Relationships between social inequalities and environmental degradation, both in the U.S. and internationally. Distribution of environmental hazards across race and class, natural resource rights and management, urban health and sustainability, climate injustices, and environmental justice movements. No credit for students who have completed WGS 115F section 4.
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3.00 Credits
History of laws subordinating women and efforts by feminists to achieve substantive and procedural equity. American historical examples augmented by comparative research. Examines employment law, laws making rape and domestic violence illegal, and tax law.
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3.00 Credits
History of women’s participation in social movements. Women’s citizenship, environmentalism, second- and third-wave feminism, hate movements, and global feminist activism. Theories of mobilization, collective identity, strategy, and movement outcomes. No credit for students who completed 115F section 17.
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3.00 Credits
The social context for innovation and creativity. Interdisciplinary approaches to the creative process, invention, and entrepreneurship. Social relations and networks surrounding creative work; gate keeping; the diffusions of innovation; changing institutions; and economic forces.
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3.00 Credits
How audiences and consumers engage with art and culture-from popular music to film, classical art, fashion, and food.
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3.00 Credits
The production of culture. The role of artists, firms, and markets in creating cultural objects, ideas, and practices, including: novels, television and news, science, music, visual arts, and food. Prerequisite: 228.
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