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Course Criteria
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1.00 Credits
Continuation of Musicianship II. Focus on tonal modulation and chromaticism. Lectures, discussion, real-time listening experiences, dictation, sight-singing, score reading, and improvisation are integrated throughout the course. Prerequisite: MUSC 171E; corequisite: MUSC 172. FALL.
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3.00 Credits
Late-Romantic, modernist, and post-modern compositional practices, including freely chromatic and non-functional harmony, ordered and unordered sets, post-tonal formal design, contemporary rhythmic devices, indeterminacy, and quotation. Prerequisite: C- or above in MUSC 172; corequisite: MUSC 173E. SPRING.
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1.00 Credits
Continuation of Musicianship III. Focus on the employment of pitches, intervals and rhythms in non-tonal contexts. Lectures, discussion, real-time listening experiences, dictation, sight-singing, score reading, and improvisation are integrated throughout the course. Prerequisite: MUSC 172E; corequisite: MUSC 173. SPRING.
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3.00 Credits
The computer as a tool for musical sound synthesis, digital instrument design, and computer-assisted composition and performance. Styles and techniques in computer music in the commercial and fine arts. Programming and computer composition. Prerequisite: any computer science course or consent of the instructor. FALL, SPRING.
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2.00 Credits
Techniques. Analysis of the scores and compositional techniques of Debussy, Schoenberg, Webern, Stravinsky, Bartók, Crumb, and others. Concepts applied to original compositions. Prerequisite: 122E, 221. FALL.
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3.00 Credits
Technical and aesthetic considerations involved in arranging (and composing) for combinations of voices, from two-part to larger choral ensembles, accompanied and unaccompanied. Score analysis and composition projects. Prerequisite: 122 or 171 or consent of instructor. FALL.
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3.00 Credits
Technical and aesthetic considerations in composing or transcribing for individual orchestral instruments, sections, and full orchestra. Score analysis and composition projects. Prerequisite: 122 or B- or above in 170. SPRING.
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2.00 Credits
Exploration of advanced tonal and post-tonal analytical techniques through intensive study of selected works of composers from the late 19th century through the 21st century, including Mahler, Debussy, Schoenberg, Dallapiccola, Scriabin. Prerequisite: MUSC 173 or 222. SPRING.
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1.00 - 3.00 Credits
Individual instruction and seminars. Score analysis and style-study composition. Prerequisite: MUSC 173 or 221 and consent of instructor. May be repeated for credit.
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1.00 Credits
Completion of an extended paper based upon musical analysis. Open only to composition/theory majors. Topic subject to approval. Progress monitored via tutorials. Completion of Junior Thesis is a pre-requisite for MUSC 299 and MUSC 241C.
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