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Course Criteria
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3.00 Credits
A survey of traditional Indian art from its Indus Valley beginnings through the period of Mughal domination. Includes architecture, sculpture, and painting, as well as decorative arts. Staff.
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3.00 Credits
Examination of the art and culture of Italy and Greece from the rise of Christianity to the first appearance of bubonic plague in 1348. Topics include early Christian art and architecture; Byzantine imagery in Ravenna and Constantinople during the Age of Justinian; iconoclasm; mosaics in Greece, Venice and Sicily; sculpture in Pisa; and the development of panel and fresco painting in Rome, Florence, Siena and Assisi. Bent.
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3.00 Credits
Survey of the art of France, Spain, Germany, and the British Isles from circa 700 to circa 1400. Discussions include Carolingian and Ottonian painting and architecture, Celtic and Anglo-Saxon manuscripts, and French cathedral design and decoration during the Romanesque and Gothic periods. Bent.
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3.00 Credits
A survey of Northern painting from 1300 to 1600, examined as symbols of political, religious, and social concerns of painters, patrons, and viewers. Among the artists covered are Campin, van Eyck, van der Weyden, Dürer, Holbein, and Brueghel. Emphasis placed on interpretation of meaning and visual analysis. Bent.
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3.00 Credits
Survey of the art and architecture of Italy during the 15th and 16th centuries. The course focuses on innovations of the Early, High, and Late Renaissance through the work of Brunelleschi, Donatello, Masaccio, Alberti, Leonardo, Bramante, Raphael, and Michelangelo. Images are considered as exponents of contemporary political, social, and religious events and perceptions. Bent.
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3.00 Credits
A survey of the art and architecture of Europe during the 17th and 18th centuries. The course focuses on the stylistic and ideological issues shaping western art during the age of Religious Wars. This course considers the stylistic innovations of Caravaggio, Bernini, Rubens, Rembrandt, Velasquez, Poussin, Watteau, Boucher, Fragonard, and Tiepolo, as well as the function of- and interest in-artistic production within the context of 17th- and 18th-century society. Lepage.
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3.00 Credits
The painting, sculpture and architecture of England from the medieval period to the 20th century. Simpson.
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3.00 Credits
An introduction to the technical, aesthetic, and social history of photography within a cultural context in the 19th and 20th centuries, as well as contemporary movements in the medium. Course includes weekly lectures, readings, films, and discussions, as well as gallery and museum visits throughout the term. Bowden.
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3.00 Credits
Sculpture and painting in Europe from the French Revolution to 1900. Staff.
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3.00 Credits
Sculpture and painting in Europe from 1900 to 1950. Simpson.
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