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Course Criteria
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3.00 Credits
Prerequisite: Permission of the instructor. Advanced study in Chinese. The nature and content of the course will be determined by the students’ needs and by an evaluation of their previous work. Fu.
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3.00 Credits
Prerequisite: First-year standing Topic for Fall 2010:
CLAS 180: FS: Love and Grief in Ancient Greece and Rome (3). First-year seminar. This seminar is designed as an introduction to the field of classics via a problem of general interest: how do we recognize, examine, describe, express, or otherwise deal with the related emotions of love and grief. We can gain insight into our own ways of dealing with love and grief by the examination of the approaches taken in other cultures–in this case, the cultures of ancient Greece and Rome. We approach the subject through a variety of media, both literary and material. The course is divided into segments, each focusing on a particular kind of source for the study of classics. (HL) D. Carlisle.
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3.00 Credits
A survey of art and architecture in Egypt, Mesopotamia, and the pre-Classical Aegean world, as well as an introduction to Greek and Roman painting, sculpture, and architecture. Staff.
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4.00 Credits
Prerequisite: Completion of FW FDR requirement. An introduction to the study of Greek mythology, with an emphasis on the primary sources. The myths are presented in their historical, religious, and political contexts. The course also includes an introduction to several major theories of myth, and uses comparative materials drawn from contemporary society and media. Crotty.
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3.00 Credits
Prerequisite: Completion of FW FDR requirement. Readings in translation from Homer, Hesiod, the tragedians, the comedians, and the lyric and pastoral poets, including selections from Herodotus and Thucydides, and from Plato’s and Aristotle’s reflections on literature. The course includes readings from modern critical writings. Crotty.
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3.00 Credits
Prerequisite: Completion of FW FDR requirement. An interdisciplinary course taught in English, using the tools of literature, history and art to examine a specific, complicated, and pivotally important period in the evolution of western culture, focused on the literary. Readings from the poets predominate (Virgil’s Aeneid and Ovid’s Metamorphosis, selections from Horace, Propertius, Tibullus and other poems of Ovid) and also including readings from ancient historians dealing with Augustus and the major events of his period (e.g., Suetonius, Plutarch, and Tacitus on such topics as Actium and problems of succession). The topic for each lecture is illustrated with slides of works of art and architecture from the period. Selections from historians and from material remains are chosen according to intersection points with the literature. Carlisle.
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3.00 Credits
In this course, we read some of the most famous stories of the Western world, from the Iliad and the Odyssey, to Milton’s Paradise Lost and Joyce’s Ulysses, via Vergil’s Aeneid and Lucan’s Civil War. All of these works are epic narratives, each presenting a different concept of the hero, and yet, at the same time, participating in a coherent, ongoing, and unfinished tradition. Questions explored include: the problematic nature of the hero, the relation between poetry and violence, the nature of literary tradition. Crotty.
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3.00 Credits
Prerequisite: Completion of FW or GE1 composition requirement. In this course we study ancient tragedy and comedy, both Greek and Roman, and look, too, at the cultural forces shaping ancient drama and some of the influence on later drama and thought. In addition to later plays that hail from ancient drama, we consider some philosophical interpretations of the significance of drama, and, in particular, tragedy. Crotty.
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3.00 Credits
A close study of one or several dialogues. Smith
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3.00 Credits
This course introduces students to the historical period between the close of the ancient world and the rise of the Middle Ages ca. 250 to 650 AD). Students read primary sources and explore the historical evidence in order to investigate the reigning historical model of “Decline and Fall” inherited from Edward Gibbon and others, and study the development of Christianity and Judaism during this period. Finally, the course investigates the formation of Europe and the rise of Islam. Johnson.
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