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ARH 498: Contemporary Art I
4.00 Credits
Portland State University
Exploration of major developments in the art world from the late 20th century. Origins of contemporary art, the transition from Modernism to Post-Modernism, important themes in contemporary art, and issues facing the practicing artist of today, in the US and globally.
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ARH 498 - Contemporary Art I
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ARH 507: Seminar
4.00 Credits
Portland State University
See department for course description.
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ARH 507 - Seminar
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ARH 525: Modern Japanese Painting
4.00 Credits
Portland State University
Recent scholarship in the history of modern Japanese paintings and prints, from the Meiji, Taisho, and Showa periods covers major themes of Japan’s westernization in a new light. The issues revolve around westernization: conflict and nationalism. New art forms, the revival of traditional styles, reclining women’s theme, and the gaze of subjects will be explored. Open to nonmajors.
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ARH 525 - Modern Japanese Painting
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ARH 551: Ancient Art
4.00 Credits
Portland State University
Art and architecture of the ancient world from Paleolithic through Roman times. ArH 551: Prehistoric, Egyptian, Mesopotamian. Open to non-majors.
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ARH 551 - Ancient Art
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ARH 576: Baroque Art
4.00 Credits
Portland State University
A study of European art and architecture from the late 16th to the late 18th century. 476/576: Italy and Flanders. Open to nonmajors.
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ARH 576 - Baroque Art
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ARH 591: Modern Art
4.00 Credits
Portland State University
A survey of the mainstream of modern art including cultural influences, trends in style and expression, and comparative relationships in the visual arts. From 19th century Romanticism, Realism, and Impressionism through the varied movements of the 20th century. Open to non-majors.
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ARH 591 - Modern Art
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ARH 598: Contemporary Art I
4.00 Credits
Portland State University
Exploration of major developments in the art world from the late 20th century. Looks at origins of contemporary art, the transition from Modernism to Post-Modernism, important themes in contemporary art, and issues facing the practicing artist of today, in the U.S. and globally.
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ARH 598 - Contemporary Art I
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ART 100: Introduction to Communication Design for Non-Art Majors
4.00 Credits
Portland State University
Introduction for non-art majors to communication design principles and methods used in composition. Lectures, readings, and projects enable creative application of design principles, color theory, and typography. Projects address formal concerns of visual communication design, visual literacy, design nomenclature, and design process through methods and strategies for creative problem-solving. Students demonstrate verbal and visual application of a design and compositional vocabulary, an effective design process, and skillful use of materials and tools. Projects do not require computer experience.
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ART 100 - Introduction to Communication Design for Non-Art Majors
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ART 112: Idea and Form
4.00 Credits
Portland State University
Introduces an interdisciplinary approach to understanding images and image systems, their history, and their intersection with the larger culture. With an emphasis on critical thinking and analysis, the course investigates the way social and cultural dynamics shape meaning and perception in art and design. Examples from art history, contemporary practice, popular culture and print/broadcast culture are examined through illustrated lectures, discussion, readings, writing assignments and studio projects. Open to non-majors.
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ART 112 - Idea and Form
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ART 115: Foundation Studio I: Two-Dimenisonal Design
4.00 Credits
Portland State University
Introduces fundamental principles and their application through the concepts, processes and practices of two-dimensional design and color theory. Students investigate visual problems, develop a visual language for communicating ideas and explore basic materials and techniques. Methods for critical evaluation draw on examples of historical and contemporary art and design, aesthetics and concepts of visual culture. Open to non-majors.
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ART 115 - Foundation Studio I: Two-Dimenisonal Design
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