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Course Criteria
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4.00 Credits
This course will continue the exploration of painting methods and processes begun in ART 204: Oil Painting. Students will expand their repertoire of painting materials and techniques, and explore a variety of formal and conceptual approaches to painting. Issues pertaining to color, spatial composition, mark-making, and surface texture, and the use of direct and indirect visual sources will be examined in-depth. Students will have the opportunity to develop individual subject-matter and content in their work as they discover their own unique pictorial "language." Prerequisites:Art 204, or permission of the instructor.
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4.00 Credits
A studio course concerned with advanced problems of photographic image making. Emphasis will be placed on developing a unified body of work and furthering technical mastery. An effort is made to recognize and focus individual interests. Art 120 and Creative or Intermediate Photography are prerequisites.
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4.00 Credits
DIGITAL ART~This studio course combines digital media with traditional 2-D art techniques that originate from the disciplines of drawing, painting, and printmaking. Creative exercises will be given to introduce students to vector and raster software, scanning, ink-jet printing, and the "virtual gallery." Students will explore the aesthetics, concepts, recent history, and products of digital art production. Some of these projects will be digital drawings, paintings, prints, artists books, sequenced imagery, and a visual journal. Students will do some traditional drawing and painting as unique starting points or for multimedia collage/assemblage. Prerequisite: Art 102 or Art 110 or permission.
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4.00 Credits
SILKSCREEN~ This course covers the concepts and use of silkscreen techniques including stencil, positive and negative block-out, photo process, registration and printing procedures and through investigative and experimental print development encouraging the students' discovery of the medium's potential. The student will acquire technical skill with emphasis put on aesthetic theory, history, technique, and printmaking etiquette and critique.
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1.00 - 4.00 Credits
Seminar
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1.00 - 4.00 Credits
Topics
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3.00 Credits
This abbreviated version of Art 425 focuses on 19th century painting. See Art 425 for a description of this course. A student may receive credit for only one of these courses.
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4.00 Credits
In the wake of the cluster of revolutions (political, intellectual, industrial), the arts underwent a series of rapid, even revolutionary changes of their own. Neo-Classicism, Romanticism, and Realism, closely paralleling liter- ary and political trends, were each proposed and opposed with polemical fury. By mid-century, the great traditions of classical Western art, stretching back to Periclean Athens, were under siege, finally to be discarded in the art of the Impressionists. As the century and the course end, Paris has replaced Rome as the center of the art world, bourgeois patronage has replaced the aristocratic, the very purpose of painting has changed, and the post-Impressionists are laying the stylistic foundations of modern art. A revised version of this course is offered for three credit hours as Art 424. A student may receive credit for only one of these courses.
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3.00 Credits
See Art 428 for a description of this course.
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4.00 Credits
This course will examine the painting and sculpture of Europe and America beginning with Post-Impressionism (1880s) and ending with Surrealism (1940s). The course will include a travel component to New York and Philadelphia. Students will explore the critical issues underlying cubism and its many offshoots, including Futurism, German Expressionism, Russian Contructivism, and Dada. In America, the urban scene, the machine age, and the Depression will be explored as they served to shape the art of this period. A revised version of this course is offered for three credit hours as Art 427. A student may receive credit for only one of these courses.
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