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Course Criteria
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Historical overview of avant-garde filmmaking. Emphasizes critical approaches to avant-grade film practices.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. History and aesthetics of American cinema from the beginning of sound film until the break-up of the studio system, focusing on the height of the Hollywood studio era. Classical genres and styles and prominent Hollywood filmmakers. Three lecture hours and two screening hours each week.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. History and aesthetics of American cinema since the end of the studio era, emphasizing the continuities and breaks with the "Classical Hollywood Cinema." Three lecture hours and two screening hours each week.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Historical overview of New Wave cinemas, a transnational response to classical filmmaking. Emphasizes critical approaches to New Wave film practices.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Historical overview of a major period in film. Teaches approaches to film historiography. May be repeated under different subtitles.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Survey of the history and aesthetics of Latin American film, from the"Golden Age" of Mexican cinema to the development of the New LatinAmerican Cinema of the 1960s, up to more recent work of the contemporary renaissance.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Explores recent tendencies in French Cinema, including new filmmakers, movements, genres, critical approaches, theories, formats, and filmmaking styles.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Explores Japanese cinema from the classical period through to the present day. Emphasizes critical and historical approaches to Japanese cinema, as well as studies of key Japanese filmmakers, including Kurosawa, Mizoguchi, Ozu, Suzuki, and Kitano.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Analysis of films from the "Golden Age"of the Weimar Republic, the Third Reich, the New Wave, East German films, and current German and Austrian cinema. Works by Lang, Riefenstahl, Wenders, Reitz, Fassbinder, von Trotta, and recent films.
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3.00 Credits
Prerequisite: FST 200; and prerequisite or corequisite: FST 205; or permission of instructor. Analysis of selected films from the silent era to the present, including the "Golden Age" and the Occupation, the New Wave, Francophonecinema, and recent French cinema. Directors studied include the Lumiere brothers, Melies, Renoir, Truffaut, Malle, and current filmmakers.
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