|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
3.00 Credits
09S: Arrange The Bauhaus was the innovative early 20th-century school for art and architectural (1919-1933) where-among other things-modern design as we know it was invented. Part art academy, part commercial design school, and part architectural guild, the Bauhaus sought to produce artistic polymaths who could cross disciplinary and even economic lines that had been separated since the Middle Ages. Bauhaus graduates were to be fine artists, visionary architects, hand-craftsmen, industrial designers, and social reformers, all rolled into one. This interdisciplinary course utilizes art history, architectural history, and modern European history to examine the institution that, in spite of many political opponents and obstacles, transformed 20th-century design. The Bauhaus, moreover, continues to exert a remarkable influence on architecture, applied arts, and artistic instruction into the 21st century. Jordan, Heck.
-
3.00 Credits
09S: Tu 1-4 In this survey course we consider symbolic and substantive roles of alcohol use in the lives of diverse individuals, families and societies. We look at symbolic aspects of alcohol use as we read and discuss selected literary works, and examine substantive aspects of use through reading and discussion of medically-based and social science texts. Students also become familiar with models of recovery for those individuals, families or societies harmfully affected by the use of alcohol and/or other drugs. During the first weeks of the term, Dartmouth College and Dartmouth Medical School faculty present their respective interpretations of selected research findings and literary works and engage with students in discussion. During the last weeks of the course, students conduct their own research into particular aspects of alcohol or other drug use and present key findings.
-
3.00 Credits
09W: 10 Why does an MRI work What is an X-ray Is all radiation bad Is my coffee radioactive after it has been "nuked" in the microwave What about my luggage after it has been through an airport We use a lot of technology which is based on modern physics, including the silicon chip, radar, GPS, lasers, nuclear technologies and many, many other examples. This class starts with a descriptive introduction to a large range of modern physics topics including what is radiation and what is quantum mechanics. We will then describe new technologies which have evolved from these physics principles, taking some of the mystery out of these technologies. Finally, society is affected by these tools, and in some cases even actively debating the use new technologies. For example what should be the roles of MRIs, GPSs and nuclear weapons As informed members of society, the course will give you some insight into the physics underlying these technologies. Finally we will look at what future technologies may evolve, and what is simply "quantum fiction ". Dist: T AS. Smit
-
3.00 Credits
09S: 10 The Crusades, launched in 1095 by European Christians to secure military control over Jerusalem and the Holy Land, led to a period of sustained and largely hostile contact between Christian and Muslim cultures. The result engendered important and often unintended changes in religion, politics, and cultural life in both Christendom and Islamdom, and largely defined Muslim-Christian understanding and self-understandings through the present day. This course, co-taught by a specialist in Islamic Religion and a specialist in the European Middle Ages, takes a comparative perspective. Dist: SOC or INT; WCult: CI. Gaposchkin, Reinhart.
-
3.00 Credits
08F: 2A Hidden in our midst is an ever-growing incarceration system, which has become increasingly privatized and retributive, especially for already marginalized groups. Some critics are calling for the "abolition" of prisons. Yet, most of us know little about prisons, the prisoners in our communities or the issues they face inside and outside prison. This course offers students the unique opportunity to study the prison system from two distinct perspectives: theoretical and practical. For one class each week, students will study the history of prisons and women's incarceration in the traditional classroom. For the other half, students will travel to Valley Vista, a substance abuse center in Bradford, Vermont, which offers a performance program for women clients. Our goal is the creation and performance of an original production that will facilitate the clients' voices. The final project for the course will combine critical analysis and self-reflection on the effectiveness of service learning and performance in rehabilitation. Open to all studen ts. Dist: SOC; WCult: CI. Schweitzer, Hernande
-
3.00 Credits
09S: 3A This course examines history's worst biomedical disasters and society's responses; reservoirs and outbreaks of plague in the world today; and its potential as a weapon of bioterrorism. Topics: epidemiology of plague; role of molecular biology in identifying diseases of the past; ecological disasters as precipitating events; effects of demographic collapse on the value of labor and on social relations. Cultural responses: images of St. Sebastian, Islamic martyrdom, Chinese boatburning rituals, Camus' The Plague Dist: INT or SOC. Guest lecturers from the Departments of French and Religion, and the Dartmouth Medical School.
-
3.00 Credits
09S: 10 Could America ever turn into a fascist dictatorship Politicians from Franklin D. Roosevelt to George W. Bush have raised the specter of fascism as the very antithesis of American democratic politics and culture. Yet in the 1930s, a series of fascist organizations appeared in the United States. While the influence of these groups was never great, their existence speaks to larger fault lines and tensions in twentieth-century American society that this course will explore. We will read European and American texts in political and aesthetic philosophy with respect to fascism worldwide, and will place these texts in conjunction with literary writings of the 1930s and contemporary rewritings of 1930s American fascism. The literary, philosophical, political and cultural texts will be enhanced by topical films. Dist: INT; WCult: W. Will, Milich.
-
3.00 Credits
09W: 10A Technology and power have always been intimately intertwined. If technology in general is the means by which human beings effect change beyond the reach of the unadorned body, then this is necessarily also an exercise of power. To control technology is to wield power. In the contemporary world, the relationship between technology and power is of ever-increasing importance. We are living in an era when technology is often used not only to uphold and reinforce existing power relations but also to resist and transform them. From increasingly sophisticated surveillance technologies such as full body scans and networks of webcams to the ease with which capital and thus power flows across increasingly irrelevant national borders to the possibilities for radical participatory democracy opened up by internet technologies to the populist model of knowledge associated with wikis to the deconstruction and reconstruction of the body through technologies such as sex reassignment surgery, the contemporary world is structured through and by the complicated relationships between technology and power. This course aims to provide students with the theoretical vocabulary and critical skills necessary to understand these complex relationships. Readings will include the theories of power of such philosophers as Hegel, Nietzsche, Heidegger, Arendt, Foucault, Butler, Zizek and Agamben. Students will also conduct independent research on a particular technology, exploring its relationship to power and related concepts such as domination, oppression, agency, resistance, and the like. Allen, Evens.
-
3.00 Credits
08F: 2 09W: 10A 09S: 11 09F, 10W, 10S: 10A Particular offerings of this course seek to introduce the student to the aims, assumptions and methodologies of reading and the study of literature. This course is designed as an introductory course to the Comparative Literature major and other literature and humanities majors. It is recommended that students complete English/Writing 5 before enrolling in Comparative Literature 10. In 08F and 09S, Love Stories. Love stories attract two clichéd assessments: "they're all the same;" "no two are alike." They thus afford an ideal opportunity to explore fundamental issues in comparative study: how do culture, history, and genre affect representation Do "universals" exist How does rhetoric (metaphors and other comparative figures) create feeling What roles does desire play in reading Readings include treatises, novels, drama, and poetry; Ovid, Chrétien de Troyes, Shakespeare, Duras, Freud, and others. Dist: LIT; WCult: W. In 09W and 10W, Male Friendship from Aristotle to Almodovar. This course examines representations of male relationships in literature, philosophy, psychoanalysis, and film. Ranging from classical texts such as the Bible and Cicero's "De Amicitia," to the cinema of Almodovar and Truffaut, we will study the rhetorical and social construction of male friendship and its relationship to gender, class and cultural politics. Texts will be drawn from the following literary and critical works: Aristotle, Martial, Montaigne, Balzac, Twain, Whitman, Nietzche, Freud, D.H. Lawrence, Waugh, Ben Jalloun, Alan Bennett, and Derrida. Dist: LIT; WCult: W. KritzmanIn 09F, Beyond Fidelity and Betrayal: The Mysteries of Adaptation. Stories undergo many metamorphoses when they are adapted from books and other media to the screen. Of particular interest are cases of migration across varying historical milieus, languages, or genres. Questions for investigation include: how does each artist shape the narrative, cultural and material givens of a story In what ways does a story convey not only its content but also the context from which it springs Dist: LIT. Higgins. In 10S, Narratives of Theft and Theft of Narratives. Both as gifts, as memories, and as things stolen, objects anchor not only people's lives but also national imaginaries. In this course we will study the work objects do in constituting identities through collections both personal and national. We will analyze how objects drive narratives and in particular, why so many narratives revolve around diverse forms of theft. Texts will include chronicles of the New World, accounts by 18th and 19th century naturalists, the legend of Prometheus, Borges' stories, Dan Brown's The DaVinci Code, Roland Barthes' Camera Lucida, and biographies of some of the US's main "robber barons." Dist: LIT; WCult: W. Sp
-
3.00 Credits
Not offered in the period from 08F through 10S
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2025 AcademyOne, Inc.
|
|
|