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  • PERIODS OF EUROPEAN CULTURE 51: African Literatures

    3.00 Credits
    Dartmouth College

    09S: 10A 10S: 2A This course will survey the texts and contexts of literatures, theories and criticisms from the distinctive cultures of East, Central, North, South and West Africa as well as the Caribbean. It will examine the evolution of literary forms as well as shifts of emphasis in issues and consciousness. Offered periodically, it will focus on genres, periods, authors, or geolinguistic categories such as anglophone, francophone, hispanophone, or lusophone. In 09S and 10S, Masterpieces of Literatures from Africa (Identical to African and African American Studies 51). This course is designed to provide students with a specific and global view of the diversity of literatures from the African continent. We will read texts written in English or translated from French, Portuguese, Arabic and African languages. Through novels, short stories, poetry, and drama, we will explore such topics as the colonial encounter, the conflict between tradition and modernity, the negotiation of African identities, post-independence disillusion, gender issues, apartheid and post-apartheid. In discussing this variety of literatures from a comparative context, we will assess the similarities and the differences apparent in the cultures and historical contexts from which they emerge. Readings include Chinua Achebe's Things Fall Apart, Naguib Mahfouz's Midaq Alley, Calixthe Beyala's The Sun Hath Looked Upon Me, Camara Laye's The African Child, and Luandino Vieira's Luanda. Dist: LIT or INT; WCult: NW. Co
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  • PERIODS OF EUROPEAN CULTURE 52: Latin American Literatures

    3.00 Credits
    Dartmouth College

    of: 2 09S: 10A Some of the most fascinating literary works of this century have been written by Latin American authors such as Neruda, García Márquez, Fuentes, Allende, etc. This course will analyze modern Latin American literature, its connection to or rejection of European traditions, the ways in which individual works illuminate third world realities and challenge accepted Western views of the world. Offered periodically with varying content.In 08F, The Creative Dimension of the Jewish Diaspora in Latin America (Identical to Jewish Studies 73 and Latin American and Caribbean Studies 54). A historical introduction to the course will locate the Jewish reality in Latin America over the centuries with its different exiles and migratory movements. The course will study the literary production of key Jewish Latin American writers and the representation of Jewish identity through films, short stories, poetry and other materials. Major themes include Anti-Semitism, identity and cultural expression, ideology and religion. Dist: LIT or INT; WCult: CI. Merino. In 09S, The Borderlands: Latina/o Writers in the United States (Identical to Women's and Gender Studies 47.2). In this course we will focus on the writings of US Latina/o writers. We will analyze how writers (Anzaldúa, Alvarez, Cisneros, Castillo and others) negotiate a path between the two cultures (the US and Latin America) and the two languages that inform their literary production and shape their identity. This in-between status translates into an experimentation with genres and a questioning of traditional gender divisions as well as the construction of transcultural icons and objects. Dist: LIT or INT; WCult: W. Spitta.
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  • PERIODS OF EUROPEAN CULTURE 53: Middle Eastern Literature

    3.00 Credits
    Dartmouth College

    Not offered in the period from 08F through 10S This course, offered periodically, will examine texts from the cultures of the Middle East originally in Arabic, Persian, Turkish, or Hebrew. The issue of comparative focus will vary.
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  • PERIODS OF EUROPEAN CULTURE 54: Jewish Literatures

    3.00 Credits
    Dartmouth College

    09W: 10A From Biblical times to the present, Jewish literary production has ranged over numerous countries and languages and thus needs to be studied from a comparative perspective. This course will explore Jewish literature from generic, thematic or cultural perspectives. In 09W, Middle Eastern Memoirs/Autobiographies and the Construction of Collective Memory: Arabs and Jews Narrate Life-Stories (Identical to Jewish Studies 81). This course will examine memoirs and autobiographies from the Middle East, with emphasis on Palestinian and Israeli memoirs. We will examine the different modalities of autobiographical writing while analyzing the relationships and tensions between "the individual and the collective." We will look at the ways that particular experiences and positionalities are viewed as delineating a collective and how they shape narration and representation in autobiographical forms. Authors include Oz, Said, Appelfeld, Be'er, Matalaon, Shehedeh, Aciman, Kashua and Sakakini. Dist: LIT or INT; WCult: CI. Bardenstein
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  • PERIODS OF EUROPEAN CULTURE 55: Asian Literatures

    3.00 Credits
    Dartmouth College

    09W, 10W: 10A The literatures of Asia are so rich and diverse that they defy the simplistic categorization implied by the notion of national traditions. The forms and conventions of literary works in India, China, or Japan have been shaped over a long period of time by a shared sense that literary culture is continuous and by an awareness of difference inherent to particular cultural epochs. This course will examine Asian literatures within their specific historical contexts in order to illuminate the cultural ground of literary practices and to provide a basis for comparison with the literary traditions of the West. In 09W and 10W, Introduction to Modern Korean Literature (Identical to Korean 61). The course will focus on providing an introductory overview of twentieth and twenty-first century Korean literature, aiming to approach Korean texts through the use of broadly applicable critical concepts and in opening up comparisons with other Asian literatures.Topics addressed will include: national literatures, genre, historical trauma and reconciliation, diaspora, and autobiography. No Korean language ability is required; no background knowledge in Korean history or culture is assumed. Dist: LIT; WCult: NW. Hanscom.
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  • PERIODS OF EUROPEAN CULTURE 56: Eastern European Literatures

    3.00 Credits
    Dartmouth College

    Not offered in the period from 08F through 10S Courses taught under this rubric offer regional or thematic approaches to the literature of Eastern Europe, its many diverse cultures, traditions, and prospects-from the Baltic to the Balkans, from Islam to Russian Orthodoxy, from the Ottoman Empire to Communism and beyond, from Mikhail Bulgakov to Eugene Ionesco and Vaclav Havel.
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  • PERIODS OF EUROPEAN CULTURE 57: Special Topics:Regions

    3.00 Credits
    Dartmouth College

    10W: 10 In 10W, Memories from the Dark Side: Political and Historical Repression in Europe. Is it still feasible to resist and survive war, exile, extermination, and political and cultural repression in the time frame from World War II to the present in Europe If it is, a new European identity will have to account for the unforgettable memories of shared atrocities from the past. We will study the Holocaust and the criminal fantasy of European racial identity, the political repression across the Berlin wall, both in the East and the West, and look across the Atlantic Ocean for the model implemented by the American friend. Authors include Semprún, Levi, Améry, Kis, Jelloun, Saramago and films by Resnais, Wajda, von Trotta, and Costa-Gavras. Dist: LIT; WCult: CI. Aguado.
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  • PERIODS OF EUROPEAN CULTURE 60: Literature and Music

    3.00 Credits
    Dartmouth College

    09S: 2A The affinities between literature and music have always held a special fascination for poets, writers, musicians, and critics. By studying the two arts as comparable media of expression, this course will test the legitimacy of interart parallels. In 09S, an introduction to the major aspects, aesthetic implications, and interpretive methods comparing the two arts. Topics for lectures and discussion will include: musical structures as literary form; verbal music, word music, and program music; word-tone synthesis in the Lied; music and drama in opera; music in fiction; and the writer as music critic. Music-related poetry and prose examples, complemented by musical illustrations and ranging from the German and English Romantics through the French symbolists and the Dadaists to contemporary writing, will be selected from texts by Goethe, Brentano, Hoffmann, DeQuincey, Poe, Baudelaire, Mallarmé, Proust, Thomas Mann, Joyce, Eliot, Huxley, Shaw, and Pound. No particular musical background or technical knowledge of music required. Dist: LIT or INT; WCult: W. Kopper.
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  • PERIODS OF EUROPEAN CULTURE 61: Literature and the Visual Arts

    3.00 Credits
    Dartmouth College

    Not offered in the period from 08F through 10S Cultural history and criticism has returned repeatedly to the affinities, dissimilarities, and tensions between words and images. This course addresses the fundamental dialogue between these forms of communication and notation.
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  • PERIODS OF EUROPEAN CULTURE 62: Literature and Film

    3.00 Credits
    Dartmouth College

    10S: 10A A study of selected major film traditions from a literary perspective. By examining themes, structures, montage, and other literary and filmic elements, students will become familiar with important concepts in film analysis. Individual offerings of the course may focus on filmmakers, movements, periods, or themes. The goal will be to appreciate the aesthetic and social significance of film as a twentieth-century medium and to explore various intersections of film and literature. In 10S, Shades of Noir: Film, Fiction, Politics (Identical to Film Studies 41). 'Film Noir' evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s-melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. Noir narratives revolve around questions of racial and national identity; the postwar crisis of masculinity and gender relations; and the experience of alienation and dislocation. The course will also trace the pervasive presence of noir and its continuing appeal for artists and audiences throughout the world. Dist: ART or INT; WCult: W. Gemünde
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