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Course Criteria
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3.00 Credits
Study of literature at the end of the 19th century in Britain, including such topics as the widening split between "literature" and popular culture, theredefinition of realism, and the crisis of sexuality. Reading includes fiction by Conrad, Haggard, Hardy, Stoker, Wells, and Wilde, as well as recent criticism and historiography.
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3.00 Credits
(Hum; 4 cr; prereq 1131, two from 2201, 2202, 2211, 2212, #; offered when feasible; spring) Study of intersections between rhetoric and literary criticism, theories of narration and authorship as rhetorical acts, and the ethics of fiction; focused through discussion of novels from a variety of historical periods and geographical areas.
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3.00 Credits
Examination of 20th-century Irish literature through the lens of cultural nationalism. How questions of language, race, culture, and colonial history make the idea of Ireland problematic. Exploration of a diverse host of writers interested in Irish myths, ideals, and identities with research from Irish and postcolonial studies.
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5.00 - 10.00 Credits
An on- or off-campus learning experience individually arranged between a student and a faculty member for academic credit in areas not covered in the regular curriculum.
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3.00 Credits
An introduction to oral and written French, its basic structure, and to French culture.
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3.00 Credits
Continuation of 1001.
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3.00 Credits
Beginning course for UMM July in Paris Program. Four weeks of intensive beginning French language and culture at the Sorbonne, Paris IV; guided visits to cultural and historical sites. No previous experience of French required. See also Fren 3060: July in Paris: French Language and Culture in Paris II. [Continuing Education course]
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3.00 Credits
Same as Hum 1302. The history of filmmaking in France from the Lumière brothers to the present; introduction to major trends in film theory. All films have English subtitles. Taught in English, but all papers and some reading/discussion will be in French. Meets Modern requirement in French major.
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3.00 Credits
Same as Hum 1303. Explores how representations of Paris in literature, film, music, and photography have been a key to the construction and the lived experience of the city and how new forms of writing, image-making, and sound production have emerged from the modern metropolis. Texts by Balzac, Baudelaire, Hemingway, Stein, and others. Taught in English, but all papers and some reading/discussion will be in French. Meets Modern requirement in French major.
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3.00 Credits
Same as Hum 1304. French women's movements during the 20th century, the historical relationship of gender and class, and the lives of women from various ethnic backgrounds in France; the history of French women authors in a global context. Taught in English, but all papers and some reading/discussion will be in French. Meets Modern requirement in French major.
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