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Course Criteria
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3.00 Credits
Students are provided theoretical knowledge and practical experience in sports reporting. Through lectures, demonstrations, analysis of local talent, and practical experience students learn how to find stories, report, write, and field produce in this field. (Offered spring semester.)
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3.00 Credits
Students concentrate on arts reporting with an emphasis on film, film criticism, and music. The course explores the work of current arts reporters locally and around the country. Students produce field reports, photographing events such as film shoots and recording sessions. Students also arrange and conduct interviews with actors, directors, producers, and musicians.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. A survey of Asian film with emphasis on film as a reflection of culture. The cinema of India, China and Japan, the countries with the largest film industries, will be featured.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. This course will cover the major areas of British Film, including: 'British Heritage' films, British Cinema of the 1990s, plus influential directors.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. An examination of the French film industry and its most influential movements, from "poetic realism" to the "New Wave" and the "cinéma du look."
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. A historical survey of Mexican cinema with an emphasis on film as a reflection of culture. The course will examine films produced in Mexico and films made by Mexicans in the United States.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. An examination of the German film industry and its most influential movements, from "Weimar Cinema" to the "New German Cinema" and beyond.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. A critical, historical analysis of African-American filmmaking through lecture, discussion, and viewing of films and film excerpts.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. Focuses on the rise of the New Hollywood, covering the influence of European directors on the 'movie brats,' the emergence of the contemporary blockbuster, the role of advertising and film reviews in promoting films, the significance of box office figures and the economics of packaging and deal-making.
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3.00 Credits
Prerequisites, FTV 140, and FTV 244, or 245. Explores an alternative history of film setting out to decode the rules and parameters of a "gay cinema" and focusing on "gay cinema" as a historical and theoretical category for analysis.
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