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342a: Film Noir
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
An exploration of the crime films of the 1940s and 1950s, called "black" by French critics because of their violent, nihilistic content and distinctive style of extreme-angled, deep-focus cinematography and shadowy low-key lighting.
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342a - Film Noir
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342b: The Horror Film
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
Beginning with Thomas Edison's Frankenstein ( 1910), this course examines such influential movements as German Expressionism, the Val Lewton horror films of the 1940s, sci-fi hybrids of the 1950s, the 'slasher' horror of the 1970s and the recent wave of Asian horror films and their Hollywood remakes.
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342b - The Horror Film
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342c: The Musical
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
Prerequisites, FTV 140 and FTV 244 or 245. Intensive study of the history and aesthetics of the movie musical form its stage roots and cinematic birth coinciding with the coming of sound film through the waning of the genre's popularity during the decline of the Hollywood studio system and the many attempts since then to revive the form.
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342c - The Musical
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342d: The Science Fiction Film
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
A study of cinematic science fiction from George Melies' A Trip to the Moon ( 1902) through contemporary films such as The Matrix. Emphasis is placed on certain developments, such as the alien invasion pictures of the 1950s and the dystopian cycle exemplified by Blade Runner.
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342d - The Science Fiction Film
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342e: Screwball Comedy
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
This classic film genre of the 1930s and '40s is examined in terms of its reflection of certain cultural changes such as the emergence of the independent 'New Woman,' the rising divorce rate, and the notion of equality of the sexes. Emphasis is placed on key directors within the form: Leo McCarey, Frank Capra, Preston Sturges.
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342e - Screwball Comedy
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342f: The Animated Film
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
From Winsor McCay's Gertie the Dinosaur ( 1906) through Disney, Pixar, and the rise of anime, this course examines the history and development of one of the most popular and groundbreaking of contemporary genres.
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342f - The Animated Film
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342g: The Western
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
Provides an overview of the oldest and most enduring of Hollywood genres exploring the mythology of the genre as well as its historical origins, with an emphasis on the impact of such classic film directors as John Ford, and Anthony Mann, and on the many waves of "revisionist" westerns in the past forty years.
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342g - The Western
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342h: The Melodrama
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
An examination of a misunderstood form with radical roots in the theater of the French Revolution and the basis for much of Hollywood's output from D.W. Griffith through Million Dollar Baby and Brokeback Mountain.
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342h - The Melodrama
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342j: The Gangster Film
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
A study of the history and impact of this most American of film genres, which was "ripped from the headlines" of newspaper accounts of the violent exploits of Al Capone, John Dillinger, and Bonnie and Clyde.
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342j - The Gangster Film
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408a: Anchor and Interview Workshop
3.00 Credits
University of Massachusetts Global (formerly Brandman University)
Students develop skills in news anchoring, hosting, and interviewing. They write and produce their own mini-newscasts and interview shows. The class views and discusses the work of professionals around the country.
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408a - Anchor and Interview Workshop
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