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Course Criteria
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4.00 Credits
Art in Holland in the age of Rembrandt, Hals, and Vermeer, the High Baroque as an international style with Rubens and Van Dyck, with artistic relations between Italy, Flanders, France, England and Spain. Note: Field trips are mandatory for this class.
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4.00 Credits
A selected topic in eighteenth-century art will be examined. Note: Field trips are mandatory for this class.
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4.00 Credits
Art in Italy and Spain in the age of Caravaggio; the Carracci invention of the Academy; the High Baroque of Cortona, Bernini, and Velasquez; the artistic centers of Rome, Naples, Madrid. Note: This is a Writing Intensive Course. Field trips are mandatory for this class.
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4.00 Credits
Art in Holland in the age of Rembrandt, Hals, and Vermeer, the High Baroque as an international style with Rubens and Van Dyck, with artistic relations between Italy, Flanders, France, England and Spain. Note: This is a Writing Intensive Course. Field trips are mandatory for this class.
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4.00 Credits
A selected topic in the history of art from the 19th century will be examined.
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4.00 Credits
European art of the romantic era, 1750 to 1850. Painting, sculpture, and selected works of architecture in England, France, and Germany, with attention to such giants as Piranesi, Canova, David, Goya, Friedrich, Runge, Ingres, Gericault, Delacroix, Constable and Turner. Note: Field trips are mandatory for this class.
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4.00 Credits
This course will study the art of France, in the second half of the 19th century as the origin of modernism. Methodologies such as feminism, social art history, and psychoanalytic perspectives will be engaged to analyze the artists and their pictorial work in a variety of media. Note: Field trips are mandatory for this class.
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4.00 Credits
Survey of European painting between 1870 and 1900, concentrating on Realism and Symbolism in France, Belgium, England, Germany, Austria and Scandinavia. Artists to be considered in detail are Monet, Cezanne, Batien-Lepage, Gauguin, Rossetti, Burne-Jones, Whistler, Leighton, Knopff, Menzel, Hodler, Munch and Zorn.
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4.00 Credits
A selected topic in the history of art from the 20th century will be examined.
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4.00 Credits
The mixture of image and type we view today as graphic design has a history rooted in the earliest pictographs on pre-historic cave walls, evolving through such experiences as Roman political campaigns, medieval illuminated manuscripts, Renaissance book design, and the Industrial Revolution before arriving in the twentieth century. Keeping this rich heritage in mind, this course will investigate the development of graphic design from the mid-nineteenth century to the present, as a result of technological advances, political upheaval, commerce, and cultural and artistic exchange. We will discuss issues and works that are relevant to the field of graphic design in order to enrich your practice and develop critical thinking skills that will be useful to you throughout your academic and professional careers in other environments as well.
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