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Course Criteria
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3.00 Credits
This course is designed to introduce students to the principles and techniques characteristic of Hip Hop theater and dance. Students will examine the impact Hip Hop is having on the professional theater in the United States, study the genesis and history of Hip Hop culture, and become acquainted with and execute Hip Hop movement combinations. Emphasis will be placed on Hip Hop’s growing influence on American Theater. Through lecture and performance opportunities, students will gain an appreciation for the contributions of the art form to theater and become familiar with the demands of Hip Hop in performance. Movement fundamentals of alignment, flexibility, endurance, dynamic range, and strength will be addressed.
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3.00 - 6.00 Credits
This course offers hands-on, organized, professional work under supervision in a professional theater or a leader in the entertainment industry.
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1.00 Credits
Development of technical skills in ballet, including safe, efficient alignment and clear articulation of movement vocabulary is a necessity for a musical theater actor to excel in the professional world. This course is the Musical Theater Concentration student’s first in a series of semesters of dance training.
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1.00 Credits
Further development of technical ballet skills increases students’ core strength and provides a basic skill set that will be added to in the succeeding six semesters. Ballet is the primary building block of dance training and the Temple Musical Theater Concentration student benefits from a year long study of the discipline.
Prerequisite:
THEATER 2101
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2.00 Credits
Basic fundamentals of music theory, including key signatures, rhythm, melody, harmony, and dynamics, are examined in order to strengthen the actor’s ability to learn music, and prepare music for auditions and performance. The course includes the study of sight singing, basic keyboard skills, rhythm in simple meters, accidentals, major scales, key signatures, major and perfect intervals, solfege and rhythmic reading drills. These fundamentals are obligatory for success for Musical Theater Concentration students.
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1.00 Credits
As the second year of training begins for the Musical Theater student, the instructor and student turn their attention to vocal growth and development, range expansion, and musicianship. This third semester in a singer’s training is devoted to the study and performance of classic English songs and arias. Attention is paid to the development of the singer’s technical skills, proper breath support, core strength, legato singing, pure vowel formation, pitch and intonation, rhythmic accuracy and English diction. Note: Musical Theater Concentration students only. Mode: Weekly 30 minute vocal lessons.
Prerequisite:
THEATER 1142
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1.00 Credits
As the second year of training continues for the Musical Theater student, the instructor and student turn their attention to vocal growth and development, range expansion, and musicianship. This fourth semester in a singer’s training is devoted to study and performance of songs from Operetta. Attention is paid to the development of the singer’s musicianship, proper breath support, core strength, legato singing, pure vowel formation, pitch and intonation, rhythmic accuracy and English diction. Note: Musical Theater Concentration students only. Mode: Weekly 30 minute vocal lessons.
Prerequisite:
THEATER 2141
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3.00 Credits
The objective of this course is to undertake the challenges of heightened language and period style while maintaining commitment to objectives, detailed given circumstances and truthful listening and reacting. This is the third and final acting course available to students who are not enrolled in the Acting Concentration.
Prerequisite:
THEATER 1211 or 1231 with a grade of B or better
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2.00 - 3.00 Credits
This course is reserved for intensive study of a particular aspect of theater. Note: For Majors only. Permission of the instructor is necessary.
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3.00 Credits
Fitzmaurice Technique applied to increase the power, range and expressivity of the voice. Through Yoga and bioenergetics the actor achieves relaxation. Through rib, diaphragmatic and abdominal exercises, the actor finds the freedom of the voice possible in strength and structure. Note: Required for Acting Concentration.
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