Course Criteria

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  • 4.00 Credits

    The guidelines for English 0701 are followed in this course, but in the ESL writing classroom there are cross-cultural implications both of what it means to do academic work and also what it means to share historical and cultural knowledge. Oral participation is encouraged as a way of developing fluency and enhancing comfort with participation in American academic settings. Classes are smaller than in English 0701, and teachers spend extended time in tutorial conferences with students.

    Note: English 0711 is designed to accommodate the needs of the ESL learner. Students placed in English 0711 must earn a final grade of C- or higher in order to be eligible to enroll in English 0802 or English 0812. Students cannot receive credit for this course if they have successfully completed any of the following courses: English 0701, 1001, 1002, 1011, 1012, 0040, 0041, C050, C051, or R050.

  • 4.00 Credits

    Duplicate Courses: This course may not be taken for credit by students who have successfully completed English 0812, 0902, 1002, 1012, 1022, 1977, 1978, C050, C051, H090, or R050.

    English 0802 takes a broader perspective than 0701 (formerly 0040), requiring students to explore a single theme from the point of multiple disciplines. Early in the semester, English 0802 students work on research and the evaluation of sources, moving through a sequence of papers that develop argumentation and the synthesis of materials. Library research is required, and sessions with librarians are part of the course. Individual and small group conferences will be held during the semester. Evaluation is predicated on a passing final portfolio of at least four assignments that are developed through multiple revisions.

    Note: English 0802 is a prerequisite for IH 0851/0852 (formerly Intellectual Heritage 1196 and 1297), any writing intensive courses, and any course in the College of Liberal Arts numbered 2000-4999.

  • 4.00 Credits

    Duplicate Courses: English 0812 may not be taken for credit by students who have successfully completed English 0802, 0902, 1002, 1012, 1022, 1977, 1978, C050, C051, H090, or R050.

    English 0812 is designed to accommodate the needs of the ESL learner. The guidelines for English 0802 are followed in this course, but in the ESL writing classroom there are cross-cultural implications both of what it means to do academic work and also what it means to share historical and cultural knowledge. Oral participation is encouraged as a way of developing fluency and enhancing comfort with participation in American academic settings.

    Note: English 0812 is a prerequisite for IH 0851/0852 (formerly Intellectual Heritage 1196 and 1297), any writing intensive courses and any courses in the College of Liberal Arts numbered 2000-4999. Classes are smaller than in English 0802, and teachers spend extended time in tutorial conferences with students.

  • 3.00 Credits

    How did language come about? How many languages are there in the world? How do people co-exist in countries where there are two or more languages? How do babies develop language? Should all immigrants take a language test when applying for citizenship? Should English become an official language of the United States? In this course we will address these and many other questions, taking linguistic facts as a point of departure and considering their implications for our society. Through discussions and hands-on projects, students will learn how to collect, analyze, and interpret language data and how to make informed decisions about language and education policies as voters and community members.

    Note: This course fulfills the Human Behavior (GB) requirement for students under GenEd and Individual & Society (IN) for students under Core.

    Students cannot receive credit for this course if they have successfully completed any of the following: ANTHRO 0815, Asian Studies 0815, Chinese 0815, EDUC 0815, Italian 0815, PSYCH 0815, Russian 0815, Spanish 0815, or CSC+DIS 0815.

  • 3.00 Credits

    Love and political ambition and violence and evil and laughter and wit and racial antagonism and the battle between the sexes and the joy and misery of being human – Shakespeare’s plays are about all of that. Discover how they work in film and video. Learn to read films and understand what actors, directors, composers, set designers, cinematographers, etc. do to bring the bard’s plays to life. We will view Merchant of Venice, Richard III, Othello, Much Ado about Nothing, and Romeo and Juliet and study how these plays got from the page to the screen. We will look at actors of the present day – Pacino, McKellen, Hopkins, Hoskins, Fishburne, Branagh, Thompson, DiCaprio, Danes, etc. and also at giants of the past, like Laurence Olivier, to see how actors create their roles. This course includes group work in reviewing film techniques, innovative writing instruction, and an introduction to research. You will have access to whole plays and to selected clips streamed to your computer.

    Note: This course fulfills the Arts (GA) requirement for students under GenEd and Arts (AR) for students under Core.

    Students cannot receive credit for this course if they have successfully completed English 0922.

  • 3.00 Credits

    The extreme version of “the grass is always greener on the other side” has been a vision of a mythical place where all is peace, balance, perfection and happiness. The concept of utopia – somewhere better than this – has been with us for centuries, but what drives it? And why, when the quest is for betterment and maximum benefit for all, do utopias so often go bad? This course will examine what visions of utopia and dystopia have existed in literature from around the world. We will look at it alongside writing from a variety of disciplines to try to understand why utopia resists our reach, and the kind of behavior, for better and for worse, that the quest for utopia brings about.

    Note: This course fulfills the Human Behavior (GB) requirement for students under GenEd and Individual & Society (IN) for students under Core.

    Students cannot receive credit for this course if they have successfully completed English 0924.

  • 4.00 Credits

    This course focuses on the art of writing, finding one’s voice, and writing for different genres. In a small classroom setting, you will work with the faculty member and other students to improve your writing through work-shopping. Other readings will allow you to develop your craft. By the end of the semester, you will produce a portfolio of your work.

    Note: This course fulfills the Arts (GA) requirement for students under GenEd and Arts (AR) for students under Core.

    Students cannot receive credit for this course if they have successfully completed English 0926.

  • 3.00 Credits

    From classical Greece and Rome, who saw themselves under siege by the “barbarian hoards,” to contemporary America and its war on “Islamic extremism,” from “The Birth of a Nation” to “Alien Nation”, Western societies have repeatedly represented a particular group of people as a threat to civilization. This course will examine a wide range of representations of non-Western people and cultures in film, literature, scientific and legal writings, popular culture, and artistic expression. What is behind this impulse to divide the world into “us” and “them”? How is it bound up with our understanding of race and racial difference? And what happens when the “barbarian hoards” talk back?

    Note: This course fulfills the Race & Diversity (GD) requirement for students under GenEd and Studies in Race (RS) for students under Core.

    Students cannot receive credit for this course if they have successfully completed AF-AM S 0834, Anthropology 0834, Asian Studies 0834,English 0934, or History 0834.

  • 3.00 Credits

    You are what you eat, they say, but what, precisely, determines our eating habits and what, exactly, do they say about us? How do these habits influence our relations with others in our communities and beyond? Eating is an activity common to all human beings, but how do the particularities and meanings attributed to this activity vary across different times and places? Using literature, visual media, cookbooks, food-based art, and advertisements as our starting point, we will examine how food perception, production, preparation, consumption, exchange, and representation structure individual and communal identities, as well as relations among individuals and communities around the globe. Our focus on this most basic of needs will allow us to analyze how food conveys and limits self-expression and creates relationships as well as delimits boundaries between individuals and groups. Materials will be drawn from a wide range of disciplines including, but not limited to, literary and gender studies, psychology, anthropology, history, sociology, and economics.

    Note: This course fulfills the Human Behavior (GB) requirement for students under GenEd and Individual & Society (IN) for students under Core.

  • 3.00 Credits

    Throughout American history individuals and groups of people, have marched to the beat of a different drummer, and raised their voices in strident protest. Study the story and development of dissent in America. How has dissent shaped American society? In addition to studying the historical antecedents of dissent students will have first-hand experience visiting and studying a present-day dissent organization in the Philadelphia area to investigate connections between the history of dissent and the process of making dissenting opinion heard today.

    Note: This course fulfills the U.S. Society (GU) requirement for students under GenEd and American Culture (AC) for students under Core.

    Students cannot receive credit for English 0849/0949 if they have successfully completed History 0849/0949 or SOC 0849.

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