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ARTH 441: Medieval Architecture
3.00 Credits
University of Pennsylvania
Maxwell.
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ARTH 441 - Medieval Architecture
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ARTH 442: Medieval Art in Italy to 1400
3.00 Credits
University of Pennsylvania
Distribution Course in Arts & Letters. Class of 2009 & prior only.Maxwell. A survey of sculpture, painting, and architecture in Italy from c. 300 to 1400.
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ARTH 442 - Medieval Art in Italy to 1400
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ARTH 473: Baroque Painting in Northern Europe
3.00 Credits
University of Pennsylvania
Distribution Course in Arts & Letters. Class of 2009 & prior only. Silver. Emphasis on the "Golden Age" of painting traditions of Holland and Flanders from the outset of the Dutch Revolt in the 1560s to the French invasions around 1670. Principal artists include: Pieter and Jan Brueghel, Rubens, Van Dyck, Goltzuis, Hals, Rembrandt, Ruisdael, Vermeer, and Steen. Attention to the rise of pictoral genres: landscape, still life, tavern scenes, portraiture, as well as relationship of art to the rise of Absolutist rulers, religious conflicts, and the Thirty Years War.
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ARTH 473 - Baroque Painting in Northern Europe
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ARTH 500: Problems of Interpretation
3.00 Credits
University of Pennsylvania
Silver. Consideration of the problems of definition, analysis, and interpretation of artworks, chiefly painting, sculpture and graphic arts. Topics for consideration will include: the changing status of the artist, sites of visual display, the relationship between art and authority, the representation of cultural difference (including both national/ethnic and gender difference), and the "art for art's sake: purposes of "modernism." Requirements will consist of short analytical papers on visual images as well as on class readings, comprised of some primary texts and samples of scholarship. Principal texts will derive from the Open University series "Art and its Histories" (Yale University Press).
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ARTH 500 - Problems of Interpretation
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ARTH 501: Museum Methods
3.00 Credits
University of Pennsylvania
Staff. Topic varies. Organized in cooperation with local museums and collections.
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ARTH 501 - Museum Methods
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ARTH 503: Origins of Graphic Art
3.00 Credits
University of Pennsylvania
Silver. History of prints in the period from about 1400 to Albrecht Durer (d 1528). Relation of early Northern and Italian woodcuts, engravings, and etchings to contemporary art forms - sculpture, painting. Topic varies.
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ARTH 503 - Origins of Graphic Art
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ARTH 504: Structural Archaeology
3.00 Credits
University of Pennsylvania
Staff. A proseminar designed to acquaint the participants with the physical evidence of buildings. It treats the properties of pre-modern building materials, their static and dynamic behavior, their contexts and reasons for their use, and the means for their procurement and working. It considers the methodologies for the historical interpretation of physical evidence, including the recording, analysis, and presentation of evidence, determining the date and original form of buildings, their sequence of construction, and their subsequent modifications. Each participant carries out a small-scale field exercise. No prerequisites.
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ARTH 504 - Structural Archaeology
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ARTH 511: Ukiyo-e:Japanese Prints and Paintings of the "Floating World"
3.00 Credits
University of Pennsylvania
Davis. Study Japanese woodblock prints from the seventeenth through the twentieth century. For most of the course, we will be concerned with prints from the Edo, or Tokugawa, period (1615-1868) in the style known as "ukiyo-e" ("images of the floating world") and the culture that produced them, but in the final weeks we will also consider the continuation and adaptation of woodblock printing in modern print movements. Study of prints at the Philadelphia Museum of Art and other local collections.
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ARTH 511 - Ukiyo-e:Japanese Prints and Paintings of the "Floating World"
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ARTH 512: Proseminar in Indian Art
3.00 Credits
University of Pennsylvania
Meister. Topic varies.
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ARTH 512 - Proseminar in Indian Art
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ARTH 513: Pro-Seminar in East Asian Art
3.00 Credits
University of Pennsylvania
Davis. Topic varies.
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ARTH 513 - Pro-Seminar in East Asian Art
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