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  • 3.00 Credits

    Distribution Course in Society. Class of 2009 & prior only. The purpose of this course will be to explore the following issues: What is the specificity of women in French society-what distinguishes the "education" --both familial and institutional--which contributes to the formation of a distinctly feminine sense and self How has this specificity contributed to the roles and functions played by women over the course of the century And finally, how have women--individually and collectively--become aware of these forces, and sought to modify them in order to devise introduction to French culture and society. Authors include: de Beauvoir, Carles, Djebar, Duras, Ernaux, Kofman, Weil.
  • 3.00 Credits

    Prerequisite(s): FREN 211 or permission of instructor. This content course has four components: (1) Using a video method, based on interviews with 30 businessmen and women at seven French companies, students will have the opportunity to participate in a wide variety of authentic business situations by using the professional language acquired in French 211; (2) As culture and commerce overlap, students will explore the following topics and their impact on the French business world: communication styles (French notion of time and space); individualism and hierarchical structures; attitudes towards money and business; intellectual elitism and formality; educational system and training of managers; women in the workplace -- the new law on sexual harassment; study of a socio-professional category: the cadres; (3) The French model of socio-market economy will be analyzed, emphasizing the present debate on state-industry relationship and social protection (health care debate). Some key industrial sectors, such as the high-tech industry and French investments in the U.S., will also be discussed; (4) Finally, the role of France in the European integration (from Common Market to European Community and European Union) will be explored. Students will have access to the instructor's research library. Students taking both courses 211 and 313 are advised to take the CCIP exam on completion of the second course.
  • 3.00 Credits

    After a brief history of European integration and a description of the Community's institutions, common programs, and single market, a series of debates on the following topics will be addressed: Federal Europe vs. Europe of Nations; A wider vs. a deeper Community; From an economic and monetary community to a political community Relations between France, Europe, and NATO (Eurocentrism vs. Atlantism); The cultural and social European Model and its future vs. American liberalism (the unemployment problem); Is there a European citizen (education and training); Europe and its relations with the rest of the world (Euro vs. dollar and yen). After a video presentation of each topic, two students will lead the discussion. The rest of the students will contribute to the debate by preparing question and comments.
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. Prerequisite(s): French 212 and 214 or equivalent. This course is designed to help foster an awareness of the differences between French and English syntactical and lexical patterns. It will introduce students to some of the theoretical problems of translation although the primary emphasis will be on improving the students' mastery of French. Both literary and non-literary texts will be included.
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. An introductory course to the literature of the French Middle Ages. French literature began in the 11th and 12th centuries. This course examines the extraordinary period during which the French literary tradition was first established by looking at a number of key generative themes: Identity, Heroism, Love, Gender. All readings and discussions in French.
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. This course introduces a diverse and fascinating era, which marks the beginning of the early modern period. It examines the political, historical, and social context of France and investigates how contemporary writers and poets translated the discoveries of Humanism into their works. Authors to be studied include the poets Clement Marot, Maurice Sceve, Louise Labe, Pernette Du Guillet, Ronsard and Du Bellay. In addition, a number of stories from Marguerite de Navarre's rewriting of the "Decameron" (L'Heptameron), as well as Rabelais's comic work "Pantagruel" and some essays of Montaigne will be analyzed
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. We will read a number of the masterpieces of the Golden Age of French literature, including works by Moliere, Racine, Lafayette, and La Fontaine. We will place special emphasis on the social and political context of their creation (the court of Versailles and the most brilliant years of Louis XIV's reign).
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. Throughout the 18th Century, the novel was consistently chosen by the philosophes as a forum in which to present political ideas to a broad audience. French novels of the Enlightenment are therefore often hybrid works in which fictional plots, even love stories, co-exist with philosophical dialogue and with more or less fictionalized discussions of recent political events or debates. We will read novels by all the major intellectual figures of the 18th century -- for example, Montesquieu's "Lettres Persanes," "Contes" by Voltaire, Diderot's "Le Neveu De Rameau"-- in order to examine the controversial subject matter they chose to explore in a fictional format and to analyze the effects on novelistic structure of this invasion of the political. We will also read works, most notably Laclos' "Les Liaisons Dangereuses," that today are generally thought to reflect the socio-political climate of the decades that prepared the French Revolution of 1789. In all our discussion, we will be asking ourselves why and how, for the only time in the history of the genre, the novel could have been, in large part and for most of the century, partially diverted from fictional concerns and chosen as a political vehicle.
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. Topic changes each semester.
  • 3.00 Credits

    Distribution Course in Arts & Letters. Class of 2009 & prior only. This course will explore fantasy and the fantastic in short tales of 19th and 20th century French literature. A variety of approaches - thematic, psychoanalytic, cultural, narratological - will be used in an attempt to define the subversive force of a literary mode that contributes to shedding light on the dark side of the human psyche by interrogating the "real," making visible the unseen and articulating the unsaid. Such broad categories as distortions of space and time, reason and madness, order and disorder, sexual transgressions, self and other, will be considered. Readings usually include "recits fantastiques" by Merimee, Gautier, Nerval, Villiers de l'Isle-Adam, Maupassant, Breton, Jean Ray, Mandiargues and others.
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