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  • 2.00 Credits

    Register for this after completing four years of full-time study including two course units each Summer Session (and usually equal to 40 course units).
  • 0.00 Credits

    Research Seminar Requirement. All full-time Masters and PhD students must be registered every semester for ESE 996 Research Seminar, a zero credit course. Attendance is required. Students attend weekly ESE Colloquia organized every semester. The course is graded on a satisfactory/unsatisfactory basis. Students will get a satisfactory grade if they attend any four ESE Colloquia each semester. PhD students will be required to sign in at the beginning of each seminar.
  • 3.00 Credits

    For students working on an advanced research program leading to the completion of master's thesis or Ph.D. dissertation requirements.
  • 3.00 Credits

    Courtney/Maeshima. Lab Fee $40. May not be taken as an elective studio by Fine Arts Majors or Minors. An introduction to three-dimensional art through clay, this course introduces students to the fundamental language of object making through hands-on experience with clay materials. Students develop their visual skills by creating sculptural forms as well as pottery forms such as cups, bowls and jars. Each project is presented with clear demonstrations and individual instructions. The first half of the semester will focus on hand-building methods which include pinching, coiling, and slab-building. The students will learn how to throw at a potter's wheel during the latter half of the semester. Reading assignments, slide presentations and a field trip broaden the understanding of object making. $40 Studio Fee.
  • 3.00 Credits

    Stallybrass/Comberg. This course focuses upon the making, remaking, dissemination, and reading of texts in early modern Europe and America. Topics will include: practices of reading; learning to write; the constitution of authorship; the interaction of printing and manuscript; the economics of printing and publishing; the transatlantic book trade. Texts for the course will include: Shakespeare, Venus and Adonis and 1 and 2 Henry IV; Mary Rowlandson, The Sovereignty and Goodness of God; Alexander Pope, The Dunciad; Samuel Richardson, Pamela; Benjamin Franklin, Autobiography; the Constitution of the United States.
  • 3.00 Credits

    Buck/Van Cleve/Reynolds/Mau. This course provides students with the introductory skills and concepts needed to create short works using digital video technologies. Students will learn the basics of cinematography and editing through a series of assignments designed to facilitate the use of the medium for artistic inquiry, cultural expression and narrative storytelling.
  • 3.00 Credits

    Buck/Reynolds. Prerequisite(s): FNAR 061. Video II offers opportunities to further explore the role of sound, editing and screen aesthetics. Through a series of three video projects and a variety of technical exercises, students will refine their ability to articulate more complex and creative projects in digital cinema. In addition, advanced level production and post-production equipment is introduced in this course.
  • 3.00 Credits

    Heriza. Prerequisite(s): FNAR 061. A digital video course stressing concept development and the exploration of contemporary aesthetics of the digital realm, specifically in relation to the documentary form. Building on camera, sound and editing skills acquired in Film/Video I and II, students will produce a portfolio of short videos and one longer project over the course of the semester. Set assignments continue to investigate the formal qualities of image-making, the grammar of the moving image and advanced sound production issues within the documentary context.
  • 3.00 Credits

    Reynolds. Prerequisite(s): FNAR 061, FNAR 062. This course explores the concepts and technologies behind non-linear storytelling through mediums like DVD's and the world wide web. Students will learn to make interactive DVD videos as a form of expression and explore the possibilities of streaming videomaking.
  • 3.00 Credits

    Van Cleve. Prerequisite(s): FNAR-061. This course focuses on the practices and theory of producing narrative based cinema. Members of the course will become the film crew and produce a short digital film. Workshops on producing, directing, lighting, camera, sound and editing will build skills necessary for the hands-on production shoots. Visiting lecturers will critically discuss the individual roles of production in the context of the history of film.
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