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MU 099: Recital Hour
0.00 Credits
South Carolina State University
MU 099. Recital Hour. 1(1,0). Weekly performance and seminar period for all music majors. Required each semester for a total of 7 semesters.
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MU 107: THEORY MUSICIANSHIP CPT
2.00 Credits
South Carolina State University
MU 107. Theory, Musicanship, and Counterpoint. 2(2,0). Basic vocabulary; notation; pitch-and-time values; rhythm, harmonic tetrachord; time beating patterns; diatonic and chromatic scales; intervals; triads; seventh chords; melodic modulations; transpositions.
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MU 107 - THEORY MUSICIANSHIP CPT
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MU 127: Eartrg/Sightsing/Kbhrmy
2.00 Credits
South Carolina State University
MU 127. Ear-Training, Sight-Singing, Keyboard Harmony. 2(2,0) Sight-singing and ear-training; solfege of intervals, scales, melodies in various rhythms; melodies in various rhythmic dictions. Emphasis is on singing from score, principle; aural analysis of melody and harmony. Keyboard practice, functional piano technique developed; ability to play primary chord in all keys; to harmonize simple melodies and to improvise basic rhythm. Elements of forms in compositions; analysis and creative work. (F,S)
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MU 207: Musicianship & Cpt
2.00 Credits
South Carolina State University
MU 207. Theory, Musicianship and Counterpoint. 2(2,0). Continued part-writing in freee contrapuntal style: Three- and fourpart harmonization of given bass and soprano, using chords and their inversions; modulations, sequence; seventh, ninth nad augmented sixth chords; continued figured bass melodies from the chorales of J.S.Bach; continued transportation and modulation. Counterpoint; three-part strict counterpoint in all five species. Prerequisite:Music 107-108.
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MU 227: Eartrg/Sightsing/Kbhrmy
2.00 Credits
South Carolina State University
MU 227. Ear-Training, Sight-Seeing, Keyboard Harmony. 2(2,0). Continuation of sight-seeing and ear-training through more advance literature multi-part dictation. Continuation of keyboard practice; the playing the chord in all keys; transposition and modulations; improvisations. Simple homophonic forms of composition; analysis and creative work. Prerequisite. MU 127-128.
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MU 250: Music Appreciation
3.00 Credits
South Carolina State University
MU 250. Music Appreciation. 3(3,0). A survey of music through the ages with emphasis on the development of traditional and contemporary music and its relationship to the other arts from a variety of world cultures. (F,S)
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MU 270: CONTEMPORARY HARMONY/JAZZ THEO
2.00 Credits
South Carolina State University
MU 270. Contemporary Harmony/Jazz/Jazz Theory. 2(2,0). Students will use traditional harmonic techniques to analyze traditional and contemporary jazz compositions. In addition to harmonic analysis, students will use this information to construct improvised melodic solos on their applied instrument. Prerequisite(s): MU 107, MUED 103.
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MU 310: Music Industry Practices I
3.00 Credits
South Carolina State University
MU 310. Music Industry Practices I . 3(3,0). This course covers the fundamental organizational structures of the music industry, giving students exposure to hierarchical business structures, copyright law and licensing practices, royalties structures, contract law, and business ethics. The basic structures of the components of the music industry are observed through their relationship to each other. Pre-requisite: Junior standing (60 Credit hours completed by semester of registration).
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MU 337: MUSIC HIST & LITERATURE
3.00 Credits
South Carolina State University
MU 337-338. Music History and Literature. 3(3,0). A general development of Western music from Pre-Christian times to the present; the analysis of characteristic musical forms, supplemented by assigned readings and listening. Study of essential aspects of musical styles and forms of representative composition. Prerequisite: Music 207-208. (F,S)
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MU 337 - MUSIC HIST & LITERATURE
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MU 370: History of the Recording Ind.
2.00 Credits
South Carolina State University
MU 370. History of the Recording Industry (2,0). This course is designed to trace the rise and fall of the recording industry from the early 1900s to the present-day Internet-based releasing and promotion. Important record labels, recording artists and business successes and failures are studies as they impact the recording industry and Western culture at large. Prerequisite: Sophomore standing.
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