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Course Criteria
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1.00 Credits
MTUM 436. Tuba. Breathing, elementary embouchure and tone production; tonguingas applied to various instruments; coordination of tone production habits through progressive major and minor scales; practical problems of artistic performances. Studies: Rubank Intermediate Method for BrassSkornicka and Boltz, Rubank, Inc. First Book of Practical Studies for Tuba. Vandercook Etudes for Bass.Flute Major and minor scales through five sharps and five flats. Emphasis on fingering and tonal development. Studies: Soussmann, Complete Method for Flute; Anderson, Bizet, Minuet; Mozart, Adagio. All major and minor scales throughout the practical performing range
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0.00 Credits
MU 099. Recital Hour. 1(1,0). Weekly performance and seminar period for all music majors. Required each semester for a total of 7 semesters.
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2.00 Credits
MU 107. Theory, Musicanship, and Counterpoint. 2(2,0). Basic vocabulary; notation; pitch-and-time values; rhythm, harmonic tetrachord; time beating patterns; diatonic and chromatic scales; intervals; triads; seventh chords; melodic modulations; transpositions.
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2.00 Credits
MU 127. Ear-Training, Sight-Singing, Keyboard Harmony. 2(2,0) Sight-singing and ear-training; solfege of intervals, scales, melodies in various rhythms; melodies in various rhythmic dictions. Emphasis is on singing from score, principle; aural analysis of melody and harmony. Keyboard practice, functional piano technique developed; ability to play primary chord in all keys; to harmonize simple melodies and to improvise basic rhythm. Elements of forms in compositions; analysis and creative work. (F,S)
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3.00 Credits
MU 203. The History of Jazz. 3(3,0). A detailed development of jazz from the late 1800s to the present, its impact to social, religious, and political environment in the United States and the world as a whole. Study of musical styles and form essential in the development of jazz will be surveyed with examples through recordings and audio-visual aids. Emphasis will be placed on the black mans contribution to jazz. (F,S)
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2.00 Credits
MU 207. Theory, Musicianship and Counterpoint. 2(2,0). Continued part-writing in freee contrapuntal style: Three- and fourpart harmonization of given bass and soprano, using chords and their inversions; modulations, sequence; seventh, ninth nad augmented sixth chords; continued figured bass melodies from the chorales of J.S.Bach; continued transportation and modulation. Counterpoint; three-part strict counterpoint in all five species. Prerequisite:Music 107-108.
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2.00 Credits
MU 227. Ear-Training, Sight-Seeing, Keyboard Harmony. 2(2,0). Continuation of sight-seeing and ear-training through more advance literature multi-part dictation. Continuation of keyboard practice; the playing the chord in all keys; transposition and modulations; improvisations. Simple homophonic forms of composition; analysis and creative work. Prerequisite. MU 127-128.
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3.00 Credits
MU 250. Music Appreciation. 3(3,0). A survey of music through the ages with emphasis on the development of traditional and contemporary music and its relationship to the other arts from a variety of world cultures. (F,S)
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2.00 Credits
MU 270. Contemporary Harmony/Jazz/Jazz Theory. 2(2,0). Students will use traditional harmonic techniques to analyze traditional and contemporary jazz compositions. In addition to harmonic analysis, students will use this information to construct improvised melodic solos on their applied instrument. Prerequisite(s): MU 107, MUED 103.
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3.00 Credits
MU 310. Music Industry Practices I . 3(3,0). This course covers the fundamental organizational structures of the music industry, giving students exposure to hierarchical business structures, copyright law and licensing practices, royalties structures, contract law, and business ethics. The basic structures of the components of the music industry are observed through their relationship to each other. Pre-requisite: Junior standing (60 Credit hours completed by semester of registration).
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