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MUS 312: Sixteenth- Century Counterpoint
2.00 Credits
University of Dayton
Study of the medieval modes and the vocal polyphony of the motet and the Mass, up to and including five-part writing; original student compositions.
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MUS 313: Advanced Aural Skills
2.00 Credits
University of Dayton
Advanced training in dictation, solfege, and aural analysis. Prerequisite(s): MUS 215.
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MUS 313 - Advanced Aural Skills
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MUS 314: Score Reading
2.00 Credits
University of Dayton
Training in reading music at the piano from open score. Drill in transposition, improvisation, and reading of various clefs, leading to the realization of full vocal and orchestral scores.
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MUS 314 - Score Reading
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MUS 316: Fundamentals of Orchestration
2.00 Credits
University of Dayton
Instrumentation studies of the four main orchestral families: woodwinds, brass, percussion, strings. Some work in combining families. Prerequisite(s): MUS 212.
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MUS 316 - Fundamentals of Orchestration
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MUS 318: Fundamentals of Arranging
2.00 Credits
University of Dayton
Arranging studies for woodwinds, brass, percussion, strings, and choir. Individual examination of instruments; projects. Prerequisite(s): MUS 212.
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MUS 321: Composition III
2.00 Credits
University of Dayton
Beginning explorations of original composition which utilize equally the concepts of pitch, temporal elements, timbres, and dynamics. Prerequisite(s): MUS 214.
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MUS 322: Composition III
2.00 Credits
University of Dayton
Beginning explorations of original composition qhich utilize equally the concepts of pitch, temporal elements, timbres, and dynamics. Prerequisite(s): MUS 321.
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MUS 323: Recording Arts And Digital Media
3.00 Credits
University of Dayton
Comprehensive overview of digital audio and digital visual media. Skills in recording, archiving, and presenting work. Prerequisite(s): MUS 223 or permission of instructor.
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MUS 323 - Recording Arts And Digital Media
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MUS 325: Beethoven And His Era
3.00 Credits
University of Dayton
Survey of the music of Ludwig van Beethoven, including orchestral works and chamber music, opera, keyboard and sacred music; and a survey of the historical context in which Beethoven lived and worked - Europe and the Habsburg Empire of the late eighteenth and early nineteenth centuries, and especially Vienna, the Habsburg capital. Beethoven is the culmination of the High Classic style and also the first of a new generation of Romantic composers.
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MUS 327: Music in Film
3.00 Credits
University of Dayton
A survey of the styles, aesthetics, and techniques of film music, emphasizing the interaction of music and visual image in film. Consideration of the changes in the evolution of both film and film music, and their relationship to culture and society.
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