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Course Criteria
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3.00 Credits
A survey of Western music history and literature from the Middle Ages to the present. Important composers, masterworks of music literature, compositional styles.
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3.00 Credits
A survey of music from representative cultures around the world, and its role and function in society.
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3.00 Credits
Survey of the American musical heritage emphasizing Anglo- and Afro-American folk traditions, early religious music, country music, pioneers in piano, band and concert music, and contemporary popular music. Open to all University students.
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3.00 Credits
A historical survey of African-American sacred music from its African roots to the present with an emphasis on developments in recent decades. Examines spirituals, the ring-shout, civil rights songs, the various forms of Gospel music, traditional hymnody of the African-American church, and the musical aspects of black preaching. Open to all University students.
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3.00 Credits
Survey of the literature and performance practices from 1890 to the present. Includes blues, Dixieland, ragtime, boogie-woogie, swing, bop, cool, funky, and current techniques. Open to all University students.
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3.00 Credits
Survey of American popular music from the days of the colonies, the war years, the ballad opera, minstrel, vaudeville, operetta, early film music, through Tin Pan Alley to Broadway, including European influences. Open to all University students.
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2.00 Credits
Formal and harmonic analysis of chamber music. Formal analysis of symphonies of classic, romantic, and contemporary composers Prerequisite(s): MUS 211, 212.
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3.00 Credits
Survey of the development of the opera and its literature from its seventeeth-century beginnings to the present. Focus upon major works and composers. Open to all University students.
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3.00 Credits
An interdisciplinary survey of Mozart's operas - German and Italian, serious and comic. Class discussions will be supplemented by extensive listening and/or viewing of recorded performances and, when possible, attendance at live performances.
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2.00 Credits
Study of the contrapuntal technique of the eighteenth century, particularly in the instrumental works of J.S. Bach. Original compositions in forms of the invention and the fugue. Prerequisite(s): MUS 211, 212.
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