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Course Criteria
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2.00 Credits
This course is a laboratory experience through work on university theatre productions in performance, technical work, or business participation. It may be taken four times for credit; and may be repeated thereafter without credit.
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4.00 Credits
This is a survey of the elements of dramatic/theatric communication. It is intended to develop understanding and enjoyment of the theatre in all of its forms. It includes lectures, readings, and demonstrations.
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4.00 Credits
This is a survey of the basic techniques and practices in technical theatre and production, including stage management, pre-production, the rehearsal period, technical rehearsals, load-ins, and calling the show. Building a prompt script with all detailed paperwork will be emphasized. It is a prerequisite to all other technical theatre courses.
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3.00 Credits
This course familiarizes the student with traditional and contemporary approaches to analyzing dramatic texts from performance, directorial, and design perspectives. Classic and contemporary texts are analyzed using traditional Aristotelian approaches, as well as Feminist, Marxist, Deconstructionist, and post-Modern frames. Emphasis is placed on creating a personalized and artistically grounded interpretation for theatrical production.
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3.00 Credits
This is a survey of dramatic and theatrical developments from their ritual beginning through the theatres of the Greek, Roman, Medieval, and Italian and Spanish Renaissances, French Neoclassic and Elizabethan periods. It focuses on the physical theatres, production techniques, and dramatic literature and conventions.
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3.00 Credits
A Survey of dramatic and theatrical development from Elizabethan and Jacobea, Italian and French Neoclassicism, Restoration and 18th Century Comedy.
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3.00 Credits
This course traces the rise of Realism and Naturalism, "Modern" theatre, Symbolism, Expressionism, Dada, Futurism, and Epic to the beginnings of contemporary theatre.
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3.00 Credits
This course concentrates on canonical historical and contemporary African American playwrights (August Wilson, Lorraine Hansberry, Amiri Baraka) and their impact on American theater and culture. .
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4.00 Credits
This is the study of the actor's vocal, physical, and psychological resources, including an introduction to the mechanics of stage movement; exercises in sensory, imaginative, emotional, and pantomimic responsiveness; fundamentals of characterization; and attendance at productions.
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3.00 Credits
This is the study of the special problems and considerations of stage management in and out of rehearsal. Special emphasis is placed on prompt-books, scheduling and coordination functions of a working stage manager as well as performance functions such as calling a show.
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