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ENG 330: Screenwriting
3.00 Credits
North Carolina State University
Writing for films, story planning, character development, communicating information, building scenes, relationships between script and cinematic dimensions, working with studios and editors.
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ENG 331: Communication for Engineering and Technology
3.00 Credits
North Carolina State University
Written communication in industrial and technical organizations, emphasizing internal communication with managers and technical personnel and including external communication with regulators, vendors, and clients. Intensive practice in writing; relationship of writing to oral and visual communication. For students in engineering and other primarily technological curricula.Credit is not allowed for more than one of ENG 331, ENG 332, and ENG 333.
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ENG 332: Communication for Business and Management
3.00 Credits
North Carolina State University
Written communication in business and public organizations, including both internal communication (such as instructions, policies, management reports) and external communication with clients, vendors, and publics. Intensive practice in writing; relationship of writing to oral and visual communication. For students in business and management-related programs.Credit is not allowed for more than one of ENG 331, ENG 332, and ENG 333.
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ENG 333: Communication for Science and Research
3.00 Credits
North Carolina State University
Written communication in scientific and research contexts, emphasizing relationship between research and writing in problem formulation, interpretation of results, and support and acceptance of research. Intensive practice in writing; relationship of writing to oral and visual communication. For students who plan careers in scientific research.Credit is not allowed for more than one of ENG 331, 332, and 333.
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ENG 349: African Literature in English
3.00 Credits
North Carolina State University
Anglophone literature in Africa. Emphasis on the relationship between the African world-view and literary production and the persistent trend by African writers to connect literature with politics. Writers such as Achebe, Ngugi, Soyinka, and Serote.
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ENG 349 - African Literature in English
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ENG 350: Professional Internships
3.00 Credits
North Carolina State University
Directed work for CHASS majors including work-site mentoring and evaluation. Department supervision includes a course work directed toward designing employment application materials, developing a portfolio of professional work or relevant research paper, considering a variety of career options, and reading literature on workplace socialization. students must provide their own transportation to the internship site. Modest liability insurance fee required. Students must have at least a 2.5 overall GPA and at least a 3.0 GPA in the major, be a junior or senior CHASS major or minor, and must complete the application process outlined on the Internship Program Website or provide the internship coordinator with contact information for your supervisor at an internship you obtained independently.
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ENG 359: Topics in Film Studies
3.00 Credits
North Carolina State University
Critical approaches to focused film topics involving film genres, directorial styles, or trends within a national cinema. Topics will vary from semester to semester.
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ENG 359 - Topics in Film Studies
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ENG 362: The British Novel of the 18th Century
3.00 Credits
North Carolina State University
Emphasizes major novelists such as Defoe, Richardson, Fielding, Sterne, and Austen.
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ENG 362 - The British Novel of the 18th Century
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ENG 363: The British Novel of the 19th Century
3.00 Credits
North Carolina State University
Emphasizes major novelists such as Dickens, Trollope, the Brontes, Eliot, and Hardy.
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ENG 364: History of Film to 1940
3.00 Credits
North Carolina State University
Technological developments and aesthetic movements that shaped cinema production and direction from the beginning of the industry to 1940. Evolution in camera movement, editing, sound storyline, and the documentary. Rise to prominence of the Hollywood studio systems and the contributions of foreign filmmakers.
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