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Course Criteria
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3.00 Credits
This course looks at promotion design as not simply decoration of verbal content, but as the visual communication of that content. It explores the three main aspects of the production process-typography, paper, and special production techniques-with regard to their inherent creative and communicative properties as well as their efficient use in effective visual communication. Offered: Interim Session Minter
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3.00 Credits
This course offers students an opportunity to understand how to manipulate and assemble found materials into exciting and convincing sculptural forms that transcend their original source into poetic visions. The Dada and Surrealists founded the Art of Assemblage at the beginning of the twentieth century. Since then many artists have assembled found objects-either natural or pre-fabricated-into structures that equal any other sculptural medium. Noble
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3.00 Credits
This course introduces students to the techniques of film exposure, developing, contact printing, and proofing. In addition, the course exposes students to the aesthetics of black and white photography, presentation of work, and a brief history of the subject. Students should have their own cameras. Limited to 12 students. Offered: Interim Session Staff
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3.00 Credits
Further study and studio experience in the more advanced aspects of intaglio printmaking. A strong involvement with the conceptual development of "proof" states is also emphasized, as well as the ability to recognize and evaluate relationships of line, value, and form through the intaglio printmaking processes. Prerequisite: Art 111, or permission of instructor Holton
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3.00 Credits
In this sequel to Art 107 students explore specific frameworks and concepts. This course will explore unique and innovative approaches for using art as a catalyst to explore the interrelationships of the physical, biological, cultural, technological systems in our environment through a multidisciplinary approach. Students complete projects to reflect an understanding of these areas using a variety of materials including found objects and natural materials. Students' technical skills in the use of materials and tolls are expanded. Noble
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3.00 Credits
An exploration of the art and architecture of Eastern Europe, Balkan, Asian, and Mediterranean countries during the period of Byzantine rule (343-1453). Works of architecture, sculpture, and painting as well as illuminated manuscripts, icons, and liturgical objects are examined in terms of both their iconography and style. Their significance within the historical, social, religious, and economic context in which they were produced is explored. [W] Prerequisite: Art 101 Sinkevic
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3.00 Credits
Intermediate study in painting methodology. Technical instruction in acrylic, oil, and egg tempera. Investigations into figurative and abstract modes of painting, with emphasis on individual preference. Critiques are regularly scheduled. Prerequisite: Art 114, or permission of instructor Kerns
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3.00 Credits
A study of the architectural and artistic achievements of the ancient civilizations around the Mediterranean: Egyptian, Minoan, Mycenaean, Greek, and Roman. The monuments are analyzed in terms of style, technique, function, patronage, and influence. [W] Prerequisite: Art 101 or 102, or permission of instructor Sinkevic
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3.00 Credits
An analysis of major works of art and architecture from the Early Christian period to the Late Gothic era. Concentration is extended beyond the traditional art forms of painting, sculpture, and architecture to include those specific to the Middle Ages: manuscript illumination, ivory carving, stained glass, and tapestries. [W] Prerequisite: Art 101 or 102, or permission of instructor Sinkevic
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3.00 Credits
A study of the art and architecture of Florence, Rome, Siena, and environs from the late thirteenth to the late fifteenth centuries. The works are analyzed in terms of style, technique, function, and patronage. [W] Prerequisite: Art 101 or 102, or permission of instructor Offered: Fall semester, alternate years Ahl
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