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Course Criteria
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0.00 Credits
Music students gain practical experience by working at a church with a music director or in a music education setting with a music teacher. Special fee.
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2.00 Credits
Designed to teach advanced conducting techniques, score study and preparation. Prerequisite: MU 313, 314.
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1.00 Credits
Students enroll concurrently with 1 semester hour of applied music in major instrument. Special fee.
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3.00 Credits
A study of biblical principles of worship and of the biblical/historical patterns of worship. The course is designed to give students guiding principles for designing and organizing corporate worship.
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2.00 Credits
The student learns to write arrangements for, and to direct a contemporary music ensemble (piano, synthesizer, bass, guitars, drums, and vocalists). This involves adapting lead sheets or other sources for full rhythm section and singers. In addition, the students learn about available technologies, i.e., sequencing and sound systems. Instructors approval required.
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3.00 Credits
A three-unit course in music arranging. Unit 1: The study of ranges, timbre, and transpositions of orchestral and band instruments. Unit 2: The completion of orchestration exercises and projects for small and large instrumental ensembles. Unit 3: Arranging for many typical choral ensemble combinations, including piano accompaniments. Prerequisite: MU 121 122, 221-222.
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3.00 Credits
A study of the development and use of sacred music through the Old and New Testaments and throughout church history including a study of hymnody as it relates to various periods of church history.
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3.00 Credits
An introduction and overview of the different aspects of music business and music technology. Topics include music industry, copyright, MIDI, sequencing, notational software, music promotion and marketing, computer assisted instruction in music, and music on the internet.
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3.00 Credits
Serves as an introduction to the musical styles and forms of non-Western cultures.
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2.00 Credits
Practical experience in studio, ensemble, recital, and church service accompanying. Includes a study of the elements of recitals, concerts and services that produce effective, polished performances as accompanist or soloist. Also, the following topics are covered: modulation, improvisation, transposition, rehearsal techniques, sight reading, open score reading, chord symbols, and use of the synthesizer as accompaniment.
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