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Course Criteria
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3.00 Credits
Examination of the nature of human communication on the Internet. Design function, content innovations of computer mediated communication discussed, with emphasis on technology as a means of interpersonal communication. Research, essays, and participation in online environment required. Prerequisite: None Offered: On demand 3 hrs
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3.00 Credits
Variable content: Media Arts and Media Studies Topics will be addressed in this course including film/video production and post-production techniques, and analytical evaluation of recent trents in media. Prerequisite: Topic Dependent Restrictions: Approval of instructor Offered: Winter 3 hrs
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3.00 Credits
The purpose of this course is to familiarize students with the history, terminology, film making techniques, film makers and cultural/societal influences of documentary film. Five distinguishing characteristics will be examined in terms of 1) subjects, 2) purposes, points of view, or approaches, 3) forms, 4) production methods and techniques and 5) experiences they offer to audiences. Prerequisites: None. Offered: Every winter. 3 hrs
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3.00 Credits
This course is designed to familiarize students with the basics of documentary production from an artistic, ethical, and practical results-oriented perspective. Prerequisites: COMM-ST 250 or COMM-ST 270 Offered: Fall 3 hrs
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1.00 - 4.00 Credits
Participation in the intercollegiate forensic program. A practicum in debate, discussion, oratory and other forensic activities. Prerequisite: Consent of instructor. Offered: Summer, fall, winter. 1-4 hrs
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3.00 Credits
The course offers an historical study of the film art of Afred Hitchcock. The course gives special attention to the director's work in the silent cinema of the U.K., Hitchcock's early major British sound films, his arrival in the United States, his major World War II propoganda films, the directors maturing into a major influence on world cinema in the 1940s, and Hitchcock's "masterworks" of the 1950s-1960s. Offered: On Demand 3 hrs
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3.00 Credits
The course is an introduction to the major films and directors of the international cinema. Particular attention will be given to the influence of German Expressionism, Italian "Neo-Realim," the "French New Wave, the "New German Cinema" of the 1970s, post-Franco Spanish cinema, and the national cinemas of South America, India, China, and Japan. Offered: On Demand 3 hrs
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3.00 Credits
The course offers an historical survey of the development of the film musical as a major Hollywood film genre from the introduction of the sound film in 1927 to current manifestations of the genre. The course gives particular attention to the development of the studio musicals of the 1930s, the role of the musical during World War II, the "Golden Age" of the MGM musical in the 1950s-60s, and the effects on the traditional Hollywood musical of the Vietnam Era social upheavals. Offered: On Demand 3 hrs
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3.00 Credits
The course offers an historical survey of the development of "film noir" as a major film genre. The course examines the major characteristics that define "film noir" and offers an introduction to the historical roots of this genre in German Expressionism, as well as the social and political context for the development of "film noir" as a hollywood studio genre in the late 1940s. Particular attention is given to the social/ political conditions of the 1950s that contributed to both the rise and decline in popularity of "film noir" during the Cold War, as well as the film genre's revival in the "neo-noirs" of the 1970s. Offered: On Demand 3 hrs
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