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ENG 10-203: Greek And Roman Mythology
3.00 Credits
Southwestern University
See Classics 07-203 and Religion 19-403. (H) (R) (IP)
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ENG 10-213: Children's Literature
3.00 Credits
Southwestern University
See Education 45-733.
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ENG 10-223: Modern British Fantasy For Children
3.00 Credits
Southwestern University
See Education 45-793. (ScS)
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ENG 10-223 - Modern British Fantasy For Children
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ENG 10-313: Playwriting
3.00 Credits
Southwestern University
See Theatre 74-313.
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ENG 10-323: Creative Writing
3.00 Credits
Southwestern University
A writing workshop in either prose fiction or poetry. Approval of instructor required. (Biennially) (H)
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ENG 10-333: Advanced Writing
3.00 Credits
Southwestern University
An intensive course in writing with emphasis on the critical essay. (Biennially; may be repeated with change in topic) (H)
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ENG 10-403: Literary Criticism/ Literary Theory
3.00 Credits
Southwestern University
An introduction to major critical and theoretical approaches to literature. (Biennially) (H)
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ENG 10-443: The Teaching of Writing
3.00 Credits
Southwestern University
A seminar emphasizing issues and strategies involved in working with student writing from various disciplines. Approval of the Writing Program Director required. (Annually) (H)
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ENG 10-473: Feminist Film Studies
3.00 Credits
Southwestern University
This course will focus on the way films define gender, and on the direction that film criticism takes when feminism goes to the movies. It includes an intensive consideration of feminist film criticism and theory from 1975 to the present, and is intended for students who are interested in film studies and who have had some experience with critical reading, writing and theoretical analysis. Also Feminist Studies 04-533. (Biennially) (H)
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ENG 10-513: World Cinema
3.00 Credits
Southwestern University
A history of narrative film from its origins to the present with an emphasis upon European, Asian, Indian and Third World cinema. Cultural contexts and technological evolution are emphasized. Lang, Eisenstein, Renoir, Truffaut, Fellini, Bergman, Fassbinder, Kurosawa, Ray, Almodovar, and Campion are among the directors studied. German cinema of the Weimar Period, Soviet Silent Cinema and the Theory of Montage, Italian Neorealism, the French New Wave, the Japanese Postwar Renaissance, and emergent Third World Cinema are among the organizing principles of this survey. (Annually) (H)
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