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Course Criteria
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4.00 Credits
No course description available.
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6.00 Credits
This course is the same as 4330 but involves 280-330 hours of work at the professional location. Prerequisites: ENGL 1311, 1312, and 2365 or 3365. (As needed)
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3.00 Credits
No course description available.
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3.00 Credits
An introduction to the study of bibliographic and textual methods for the beginning student in graduate English, examining the practice and application of these areas during the twentieth century. This course is required of all graduate English majors.
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3.00 Credits
The complex relations between literacy, political and gender structures will be explored by writings such as the works of Mary, Countess of Pembroke, Lanyer, the Elizabethan sonnet, the prose romance (Sidney's Arcadia), and the romance (Spencer's Faerie Queenie).
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3.00 Credits
Ideas of the classic as exemplified in the writings of Pope, Reynolds, Hume, Locke, Chudleigh and Lady Montagu in England and in the works of Jefferson, Franklin, Trist, Knight, and Rowlandson in the USA.
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3.00 Credits
The eighteenth-century novel is a form of great variety, from the epistolary writings of Richardson and Smollett to the elaborate structures of Fielding and the "anti-novels" of Sterne. This form also saw "sentimental" development in Inchbald and the gothic in Radcliffe and Brown, and the "homespun" humor of Brackenridge.
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3.00 Credits
An exploration of a range of facets of Romanticism including the fascination for the past, the phenomenological relation with the natural world, the craving for excitement and incident, political involvement, and the need for anecdote and the domestic.
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3.00 Credits
A study of the forms and ideas of writers such as Carlyle, Ruskin, Newman, George Eliot, Emerson, Fuller, Alcott, Gilman, and others to explore relations between structure, idea, and political ideology.
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3.00 Credits
This will focus on the central years of modernism, 1890 - 1920, to show the new developments of thought and form in the work of writers such as Pound, T.S. Eliot, H.D. Woolf, and Joyce.
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