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Course Criteria
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2.00 Credits
Group instruction in an electronic piano laboratory. Each student practices individually, using earphones. Course includes composing, ear training, chord progressions, sight-reading, transposing, secondary dominants, and harmonizing. Prerequisite: MUS 2202 or equivalent instruction.
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2.00 Credits
This course provides a general study of the business aspects of the music industry, including agencies, the recording business, and unions.
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1.00 Credits
Development of accompaniment techniques. Sight-reading and transposition. Permission of professor required.
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2.00 Credits
This course is designed for the student who wants to gain a basic understanding of the use of computers in the music field. It will include the study of various computer platforms, related software programs, forms of music synthesis, MIDI and sampling. No music performance abilities are required, but knowledge of music is helpful.
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3.00 Credits
A course designed for students interested in sound recording principles, studios and live engineering. It will include the study of microphones, tape machines, mixing boards, effects, processing, and other subjects relating to the field of recording.
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2.00 Credits
This course is designed for the students who has successfully completed the Computers and Music Course. It will continue the study and application of sequencing, notation and editing software. It will also include the study of digital audio recording on the computer. Prerequisite: MUS 2312
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2.00 Credits
This course is designed for the student who has successfully completed the Computers and Music and the Introduction to Recording courses. It will continue the study of sound, microphones, tape machines, mixing boards, effects processing and other subjects related to the field of recording. It will also include the study of digital audio recording on the computer. Prerequisite: MUS 2323 and MUS 2312 or concurrent enrollment in MUS 2312.
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2.00 Credits
An aural study of the melodic, harmonic, and rhythmic patterns found in the traditional music of the 17th and 18th centuries. These areas of concern will be studied both in isolated situations and within the framework of music literature. This course includes the development of skills in the areas of melodic, harmonic, and rhythmic dictation as well as the ability to vocally sight-read traditional music patterns. A continuation of Aural Theory II. Prerequisites: MUS 1232, MUS 1242; Concurrent enrollment in MUS 2422 is required.
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2.00 Credits
An advanced study of the melodic, harmonic, and rhythmic materials of music as used by composers of the 17th and 18th centuries that was begun in Beginning Harmony I. This course of study also includes the study of modulation, binary and ternary forms, less common chord progressions, application of part-writing procedures to instrumental writing, and diatonic seventh chords. Prerequisites: MUS 1232, MUS 1242; Concurrent enrollment in MUS 2402 is required.
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2.00 Credits
An aural study of the melodic, harmonic, and rhythmic patterns found in the traditional music of the 17th and 18th centuries. These areas of concern will be studied both in isolated situations and within the framework of music literature. This course includes the development of skills in the areas of melodic, harmonic, and rhythmic dictation as well as the ability to vocally sight-read traditional music patterns. A continuation of Aural Theory III. Prerequisites: MUS 2402, MUS 2422; Concurrent enrollment in MUS 2442 is required.
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