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Course Criteria
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3.00 Credits
3 s.h. This is an introductory course in the theory of contemporary songwriting with an emphasis on application of materials through creative writing, composing and performance. Traditional approaches to lyric and music writing will be utilized. ( LA) Prerequisite: SoS.
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3.00 Credits
3 s.h. A survey and analysis of rock music from the pre-50's to the present. Artists studied include Bill Haley, Elvis Presley, Chuck Berry, the Beatles, the Rolling Stones, Stevie Wonder, Elton John, and others. Also covers sub-styles of rock music, including rockabilly, soul, acid rock, southern rock, country-western, hard rock, and new wave. Prerequisites: SoS and a broad background in listening to rock music. ( LA)
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3.00 Credits
3 s.h. An in-depth exploration of the process of writing music and/or lyrics. The class will focus on original compositional work that students will complete each week, along with analysis of the melodies, lyrics and chord structures of these works. All styles welcome. Only for committed, experienced songwriters. Prerequisite: permission of instructor.
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3.00 Credits
3 s.h. Reviews rudiments, including terminology, notation, rhythm and meter, and scales and intervals. Studies harmony, beginning with triads and working with more complex structures. Goal is to learn to read, write, and interpret lead sheets. ( LA, AA2) Prerequisite: MUSC 139 or appropriate score on Theory Placement Test.
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3.00 Credits
3 s.h. Continuation of MUSC 247, covering contemporary popular harmonic progressions, lead sheets, and improvisatory techniques. Also includes elementary orchestration. ( LA) Prerequisite: MUSC 247.
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3.00 Credits
3 s.h. Studies technical aspects of Western music, including evolution of melodic-rhythmic-harmonic language of tonal music; analysis and restructuring of source materials; realization of figured bass; sightsinging; and keyboard applications. ( LA, AA2)
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3.00 Credits
3 s.h. A continuation of Theory I, with vocabulary expanded to include ninth, 11th, and 13th chords. Further work in harmonic functions encompasses modulatory progression. Uses basic elements of form and orchestration. Expands scope of ear training and keyboard work. ( LA) Prerequisite: MUSC 249 or equivalent.
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3.00 Credits
3 s.h. An overview of contemporary music composition for film and media. Theoretical and aesthetic aspects of producing music for feature films, television, advertising, and multi-media will be presented and applied in individual and group projects as well as in critical writing. Current legal and business aspects of film music will be surveyed through selected in-class screenings and listening assignments. ( LA) Prerequisite: SoS.
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3.00 Credits
3 s.h. The lecture/workshop class teaches students to combine vocal and dramatic training in order to effectively interpret and perform roles in all forms of music drama. Through musical scene study and individual coaching, students will explore the use of diction, deportment, characterization, and various vocal styles necessary for the present day "singing-actor." Students will have the opportunity to explorerepertoire from opera, operetta, musical theater, and stand-alone pieces such as cabaret songs, as well as their own original compositions. The semester's work will culminate in a performance of a program of scenes and songs before an invited audience. ( LA)
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1.00 - 3.00 Credits
1-3 s.h. Advanced individual or class study of vocal or instrumental repertoire. Particular emphasis placed on stylistic and artistic interpretation of music, based on mature musicianship and knowledge of correct performance practice. May be repeated for credit. ( LA) Prerequisites: audition and permission of instructor.
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