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Course Criteria
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1.00 - 3.00 Credits
1-3 s.h. A study of vocal or instrumental music to develop musicianship and performance skills and to acquaint the student with repertoire. Instruction consists of studio or class study, with independent practice required. Credit depends on work load. Recital performances may be required. May be repeated for credit. ( LA) Prerequisite: permission of instructor. Individual Studies in Music Independent study, teaching assistantships, and internships can be arranged for qualified students subject to availability of suitable faculty supervisors. Normally requires up to a semester of advanced planning. Students interested in honors work in music should consult the Music Department chair.
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3.00 Credits
3 s.h. An introduction to audio engineering techniques including the basic principles of acoustics, psycho-acoustics, multi-track recording, mixing and post-production of creative work. Computer based and analog recording equipment is used to demonstrate modern recording theory and practice. ( LA)
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1.00 - 3.00 Credits
1-3 s.h. Introductory study of a special topic in the music field not covered in other courses. Reading and listening laboratory assignments required. May be repeated with different topics. ( LA)
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3.00 Credits
20th Century Music
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2.00 - 3.00 Credits
2-3 s.h. A study of how contemporary issues in the music and entertainment industry are affected by intellectual property law and business traditions. The marketing and merchandising of creative product are discussed, including artist representation, record promotion, distribution and retailing, publishing and the use of broadcast media. ( LA)
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3.00 Credits
3 s.h. A survey course exploring several record labels started in the 20th century and the impact they had on the music industry, popular culture and society. The course will cover the histories of these record labels, their founders, important artists and releases, executives and record producers. Some of the topics include labels such as Gennett, Sun, Def Jam, Elektra, Interscope, Motown, Blue Note and Chess. In addition the course will survey the current record label climate and structure and how to release your own recordings and start an independent / Do It Yourself record label. ( LA) Prerequisite: MUSC 108 and/or permission of instructor.
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3.00 Credits
3 s.h. This course will examine the history, culture, politics, language, spoken and musical expression of hip-hop music and culture. The class will consider the fundamental elements of hip hop, including breakdancing, graffitti, DJing and MCing. There will be at least one paper and two exams, as well as required listening, research and class activitiy. ( LA)
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3.00 Credits
3 s.h. This course will survey the history and philosophies of the art of record production. In addition, the class will examine the specific business practices associated with a career in record production. Some of the legendary producers that will be studied include John Hammond, Quincy Jones, Rick Rubin, Phil Spector and Jerry Wexler. The student should have some experience in the recording studio and material to present where they participated as either a musician, engineer, arranger, songwriter and/or a record producer. ( LA) Prerequisites: MUSC 192 or MUSC 292 and permission of instructor.
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3.00 Credits
3 s.h. This course will focus on methods and techniques of modern jazz interpretation and improvisation. Students will theoretically analyze and perform a broad selection of 20th century jazz repertoire. Emphasis will be placed on ensemble work, solo development (improvisation), and concert performance on and off campus. Prerequisites: vocal or instrumental performance, theory I background and/or instructor permission is required.
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3.00 Credits
3 s.h. An opportunity for pianists to explore their own personal style of non-classical piano playing. Our work will include technical exercises, scales and harmonic exercises in all 23 keys. Students will be encouraged to develop and refine their own repertoire and techniques. A basic knowledge of chords and a commitment to regular practice is necessary. All styles welcome. Prerequisite: permission of instructor.
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