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  • 4.00 Credits

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  • 3.00 Credits

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  • 3.00 Credits

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  • 3.00 Credits

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  • 4.00 Credits

    Short film is an undefined but highly ubiquitous category in world cinema. It is often measured for its length but also for its brevity as well as for its expansive and flexible reach. This course is a thorough examination of this art form, as old as cinema itself, and as expansive as cinema around the globe. This broad survey includes some classic works, the Academy Award winning films, achievements of European cinema, various new formats within short film (anthology film, DVD compilations, etc.), and the forceful re-emergence of this art form on the Internet. The course includes extensive viewing, comprehensive journal entries, research and writing on films.
  • 4.00 Credits

    Advanced course in various phases of video production that utilizes students' understanding of the relationships between concepts/theories of culture and identity to independent production. Students develop their own projects in narrative, dramatic, experimental and documentary or other formats of video production. Course develops particular emphasis on understanding of space, time and construction of narrative elements and centrality of form to this visual medium. Students work in individual and group projects. A chellenging course for students to explore relationships between personal and the political and formal and conceptual worlds in race, gender and sexuality. Prerequisites: CM350 Video Production II and permission of the instructor
  • 4.00 Credits

    An overview of the methods and principles of systematic inquiry in the field of communications. Develops a discrete model of the disciplines as a humanistic field by examining communications as a human science (consisting of hermeneutics, phenomenology, structuralism, ethnography, rhetoric and dramaturgy). Shows how communications employs such social science research methods as content analysis, survey research, field research and experimental research to establish critical contextualization. Besides introductory readings, includes critiques of published studies. The course prepares the way for the required capstone course, CM 390. Prerequisite: CM 325.
  • 4.00 Credits

    Internship in a supervised professional setting for a minimum of eight hours per week. Includes seminar meetings with other interns to discuss the work experience as it relates to theories of communication. Requires a written project based on the internship. Students in the evening program must consult with the adviser regarding course load during internship and other internship requirements. Prerequisites: CM360, senior standing in communications, a 3.0 cumulative GPA and approval of the faculty in the communications program. Students must also carry at least eight additional credits at Arcadia University while enrolled in the internship unless regularly attending on a part-time basis.
  • 4.00 Credits

    An advanced course in communications studies, designed to serve as the culminating academic challenge to communications majors. Includes readings in communications studies; requires integration of the internship experience and of the cumulative course work in undergraduate studies; demands presentation of the portfolio and a final research project in the student's area of interest. Readings emphasize a survey of contemporary analytical, critical and theoretical issues in the area of communications studies in particular, and the liberal arts and the humanities in general. The final project is to be presented to the University community during the Senior Thesis Week. Prerequisites: CM 460 and senior standing.
  • 3.00 Credits

    This course introduces students to theoretical issues and practical concerns related to contemporary journalism. Students will learn the fundamentals of journalistic style and gain a solid foundation for careers in fields such as editing, publishing, public relations, and new media. Throughout the semester participants will develop thinking, interviewing, and writing skills, with an emphasis on clarity, precision, and accuracy. Class discussions will explore the ideal of objectivity and distinctions between fiction and fact, especially in literary journalism. Through a comparative analysis of trends in convergence, interactive, and digital media in Italy, Europe and the United States, this course aims to enhance students' media and global literacy. (Perugia, Italy, http://www.arcadia.edu/abroad/itUmbraInstitute)
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